But Gosling’s, as I knew it, is gone. Gosling’s I have always identified
with Tellson’s in “A Tale of Two Cities.” “It was very small, very dark,
very ugly, very incommodious. . . . After bursting open a door of
idiotic obstinacity with a weak rattle in its throat, you fell into
Tellson’s down two steps, and came to your senses in a miserable little
shop, with two little counters where the oldest of men made your cheque
shake as if the wind rustled it while they examined the signature by the
dingiest of windows, which were always under a shower-bath of mud from
Fleet Street.” The description exactly fits Gosling’s before it got
itself a new façade and became the mere branch of a bigger bank. And the
Dickens Fellowship should have looked to it, and preserved for the nation
this memorial of the master.
Close by was a shop for the sale of mechanical toys, in the window of
which a steamer laboured heavily in a sou’-westerly gale, the rolling
waves kept in a state of agitation by clockwork, and the whole effect
being particularly real and naturalistic. The proprietor of this
scientific toy-shop was eventually attacked by the virus that runs
through Fleet Street. He became a newspaper proprietor, and a successful
one. His translation happened in this way: Young Kenealy, son of the
eminent but erratic counsel for the Claimant, founded a paper called
_Modern Society_. His pious object was to rehabilitate his late father,
and this could only be accomplished by reopening the whole of the dreary
Tichborne case, of which the public was heartily sick. The paper did not
pay, and it was eventually acquired, as a property, by the owner of the
clockwork ocean. He, worthy man, had no axe to grind. He retained the
services of a pliant editor, and made the organ a vehicle for that sort
of gossip which goes down so well with suburban matrons. The paper went
up by leaps and bounds. The new proprietor gave himself airs, dressed
the part, exhibited himself in the Park, and in a brief period had
managed to shed all traces of the obsequious Fleet Street tradesman. He
crossed the bar years since—perhaps in his mechanical steamer—but his
paper persists to this day.
Public-domain text, read in full here on John Shaqi.
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