Bohemian Paris of To-day: Second Edition — John Shaqi
Bohemian Paris of To-day: Second EditionMorrow, W. C.
History
Bohemian Paris of To-day: Second Edition
Morrow, W. C.
Bohemianism; Paris (France) -- Social life and customs
A young Scotch student from Glasgow, named Cameron, has a studio
adjoining ours. He is a fine, jovial fellow, and we usually assist him
to dispose of his excellent brew of tea at five o'clock. Every Thursday
evening there was given a musical chez lui, in which Bishop and I
assisted with mandolin and guitar, while Cameron played the flute.
For these occasions Cameron donned his breeks and kilt, and danced the
sword-dance round two table-knives crossed. The American songs strike
him as being strange and incomprehensible. He cannot understand the
negro dialect, and wonders if America is filled with negroes and cotton
plantations; but he is always delighted with Bishop's "Down on the
Farm."
[Illustration: 0033]
Life begins at five o'clock in our court. The old gentleman beats his
rugs, the milk-bottles rattle, the bread-carts rumble, Madame Gioté
opens her milkstand, and the concierges drag the ash-cans out into the
court, where a drove of rag-pickers fall upon them. These gleaners are
a queer lot. Individuals and families pursue the quest, each with a
distinct purpose. One will seek nothing but bones, glass, and crockery;
another sifts the ashes for coal; another takes only paper and rags;
another old shoes and hats; and so on, from can to can, none interfering
with any of the others. The dogs are the first at the bins. They are
regularly organized in working squads, travelling in fours and fives.
They are quite adept at digging through the refuse for food, and they
rarely quarrel; and they never leave one bin for another until they have
searched it thoroughly.
The swish of water and a coarse brush broom announces the big, strong
woman who sweeps the gutters of the Rue St.-André-des-Arts. With broad
sweeps of the broom she spreads the water over half the street and back
into the gutter, making the worn yellow stones shine. She is coarsely
clad and wears black sabots; and God knows how she can swear when the
gleaners scatter the refuse into the gutter!
The long wail of the fish-and-mussel woman, "_J'ai des beaux maquereaux,
des moules, poissons à frire, à frire!_" as she pushes her cart, means
seven o'clock.
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