Bohemian Paris of To-day: Second Edition — John Shaqi
Bohemian Paris of To-day: Second EditionMorrow, W. C.
History
Bohemian Paris of To-day: Second Edition
Morrow, W. C.
Bohemianism; Paris (France) -- Social life and customs
The day now really begins. Water-pails are clanging and sabots are
clicking on the stones. The wine people set up a rumble by cleaning
their casks with chains and water. The anvils of the iron-workers are
ringing, and there comes the tink-tink-tink of the little hammers in
the embossed-picture factory. The lumbering garbage-cart arrives to bear
away the ash-bins, the lead-horse shaking his head to ring the bell on
his neck in announcement of the approach. Street-venders and hawkers of
various comestibles, each with his or her quaint musical cry, come in
numbers. "_J'ai des beaux choux-fleurs! O, comme ils sont beaux!_" The
fruit- and potato-women come after, and then the chair-menders. These
market-women are early risers. They are at the great Halles Centrales
at four o'clock to bargain for their wares; and besides good lungs
they have a marvellous shrewdness, born of long dealings with French
housewives.
Always near eight may be heard, "_Du mouron pour les petits oiseaux!_"
and all the birds in the court, familiar with the cry, pipe up for their
chickweed. "_Voilà le bon fromage à la crème pour trois sous!_" cries
a keen-faced little woman, her three-wheeled cart loaded with cream
cheeses; and she gives a soup-plate full of them, with cream poured
generously over, and as she pockets the money says, "_Voilà! ce que
c'est bon avec des confitures!_" Cream cheeses and prayer! On Sunday
mornings during the spring and summer the goat's-milk vender, blowing
a reed-pipe, invades the passage with his living milk-cans,--a flock of
eight hairy goats that know the route as well as he, and they are always
willing to be milked when a customer offers a bowl. The tripe-man with
his wares and bell is the last of the food-sellers of the day. The
window-glass repairer, "_Vitrier!_" passes at nine, and then the
beggars and strolling musicians and singers put in an appearance. In
the afternoon the old-clo' man comes hobbling under his load of cast-off
clothes, crying, "_Marchand d'habits!_" of which you can catch only
"'_Chand d'habits!_" and the barrel-buyer, "Marchand de tonneaux!" The
most musical of them all is the porcelain-mender, who cries, "_Voici le
raccommodeur de porcelaines, faïence, cristal, poseur de robinets!_" and
then plays a fragment of a hunting-song.
[Illustration: 0037]
Public-domain text, read in full here on John Shaqi.
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