Bones and I : $b or, the skeleton at homeWhyte-Melville, G. J. (George John)
Philosophy
Bones and I : $b or, the skeleton at home
Whyte-Melville, G. J. (George John)
English fiction -- 19th century; Paranormal fiction, English
He is a well-formed and very complete skeleton of middle height—perfect
in every respect, and in all his articulations, with the exception of
two double teeth absent from the upper jaw. The arch of his lower ribs
is peculiarly symmetrical, and his vertebræ are put in with a singular
combination of flexibility and strength. As I look at him now leaning
back in a graceful attitude, with one thigh-bone thrown carelessly
over the other, he reminds me of so many people I knew when I lived
in the world, that I seem to fancy myself once more a denizen of that
revolving purgatory which goes by the name of general society. Poor
A—— was almost as fleshless, B—— much more taciturn, and C—— decidedly
not so good-looking. “Bones,” however, possesses a quality that I have
never found in any other companion. His tact is beyond praise. Under no
circumstances does he become a bore—that is why we get on so admirably
together. Like a ghost, he speaks only when spoken to. Unlike a wife,
refrains from monopolising the last word. If he didn’t rattle so on the
slightest movement—a fault of anatomy, indeed, rather than temper—as a
companion he would be—perfection.
It is a dull, close evening. Were it not so near winter one might
predict a thunderstorm. The smoke from my meerschaum winds upwards in
thin blue wreaths, uninfluenced by a breath of outward air, though
the windows are open to the deserted street, black and silent as the
grave. My lamp is not yet lit (we both affect a congenial gloom), the
fire is burning out, but there is a dull red glow like a fever-spot
lowering under a volcanic arch of cinders; and looking into it
with unwinking eyes, I see the long-drawn, weary, beaten road that
leads backward through a life. I see a child set down to run alone,
half-frightened, laughing, trusting, almost happy, and altogether
gay. I see a youth bold, healthful, courageous, full of an impossible
chivalry, a romantic generosity that delights to lavish no matter
what—money, love, hope, happiness, coining heart and intellect into
gold that he may squander it on the passers-by. I see a strong man
crushed—a proud head grovelling in the dust, a high spirit broken, a
cowering wretch imploring that his punishment may be lightened ever
such a little, trembling and wincing like a slave beneath the scourge.
At this moment the fire falls in with a crash, while a pale yellow
flame leaps flickering out of the midst, and starting from my seat
to light our lamp for the rest of the evening, I demand aloud, “What
then is the purpose of Creation? From a quenched rushlight to an
extinct volcano, from the squeak of a mouse to yesterday’s leading
article, from a mite smothered in a cheese to an Emperor murdered in
Mexico, is the march of Time but the destructive progress of a bull in
a china-shop? Are the recurring centuries but so many ciphers added
to the sum of a thriftless, objectless expenditure? Is the so-called
economy of the universe but an unbridled, haphazard course of boundless
Public-domain text, read in full here on John Shaqi.
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