Bonnie Scotland: Painted by Sutton Palmer; Described by A.R. Hope MoncrieffMoncrieff, A. R. Hope (Ascott Robert Hope)
History
Bonnie Scotland: Painted by Sutton Palmer; Described by A.R. Hope Moncrieff
Moncrieff, A. R. Hope (Ascott Robert Hope)
Scotland -- Description and travel
drawbridge to lounge on the ramparts, to be conducted over historic
relics by veteran ciceroni, or to wait for the stunning report of the
gun, which, fired from Greenwich at one o’clock, brings every watch
within hearing to the test.
From this “Maiden Castle,” safe refuge for princesses of the good old
times, a conscientious tourist makes for Holyrood by the long line of
High Street and Canongate, bringing him past most of the historic sites
and monuments--the “Heart of Midlothian,” the Parliament House, the
swept and garnished Cathedral of St. Giles, beside which John Knox now
lies literally buried in a highway, as was Dr. Johnson’s pious wish for
him; the restored Market Cross, the Tron Church, Knox’s House, which
counts rather among Edinburgh’s Apocrypha, and many another ancient
mansion, once alive with Scotland’s proudest names, now degraded to an
Alsatia of huge dingy tenements, swarming forth vice and misery at
nightfall. The way narrows through an unsavoury slum as it approaches
the deserted home of kings, beyond which opens a park such as no king
has at his back door.
Holyrood was originally an abbey, founded by David I. “in gratitude,”
says the legend, “for his miraculous deliverance from a stag on Holy
Rood Day, and prompted thereto by a dream.” Similar stories are told of
many another prince less disposed to ecclesiastical benefactions than
David, that “sair saint to the crown”; even John of England founded one
abbey, at Beaulieu, as an act of grace prompted by nightmare visions.
Beside David’s Abbey of the Holy Cross sprang up a palace that, as well
the sacred precincts, suffered much in the troubles of the Stuart
reigns, being frequently burned or spoiled by
[Illustration: EDINBURGH FROM SALISBURY CRAGS--EVENING]
English tourists of their period, on the last occasion “personally
conducted” by one Oliver Cromwell, who had small respect either for
palaces or abbeys. In Charles II.’s time it was rebuilt somewhat after
the style of Hampton Court, while the Abbey, devastated by a
Presbyterian mob, came to be refitted with a too heavy roof that crushed
it into utter ruin. The present building is thus modern, but for the
ruins behind, and the restored portion incorporating Queen Mary’s
apartments. The name of the Sanctuary opposite was no vain one up till
about half a century ago, when impecunious debtors used to take asylum
within its bounds, privileged to issue free on Sundays, else venturing
forth to feast or sport only at the risk of thrilling adventures with
bailiffs.
Public-domain text, read in full here on John Shaqi.
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