American essays -- 19th century; Literature -- History and criticism
Sir Walter Scott, who appears to have wasted a good deal of time
in trying to persuade himself that he put no faith in spirits,
confesses quite humbly, in his old age, that “the tendency to belief
in supernatural agencies seems connected with and deduced from the
invaluable conviction of the certainty of a future state.” And beyond
a doubt this tendency was throughout his life the source of many
pleasurable emotions. So much so, in fact, that, according to Mr.
Pater’s theory of happiness, the loss of these emotions, bred in him
from childhood, would have been very inadequately repaid by a gain in
scientific knowledge. If it be the true wisdom to direct our finest
efforts towards multiplying our sensations, and so expanding the brief
interval we call life, then the old unquestioning credulity was a
more powerful motor in human happiness than any sentiment that fills
its ground to-day. In the first place it was closely associated with
certain types of beauty, and beauty is one of the tonics now most
earnestly recommended to our sick souls. “Les fions d’aut fais” were
charming to the very tips of their dewy, trembling wings; the elfin
people, who danced in the forest glades under the white moonbeams,
danced their way without any difficulty right into the hearts of
men; the swan-maiden, who ventured shyly in the fisher’s path, was
easily transformed into a loving wife; even the mara, most suspicious
and terrible of ghostly visitors, has often laid aside her darker
instincts, and developed into a cheerful spouse, with only a tinge of
mystery to make her more attractive in her husband’s eyes. Melusina
combing her golden hair by the bubbling fountain of Lusignan, Undine
playing in the rain-drenched forest, the nixie dancing at the village
feast with her handsome Flemish lad, and the mermaid reluctantly
leaving her watery home to wed the youth who captured her magic
seal-skin, all belong to the sisterhood of beauty, and their images did
good service in raising the vulgar mind from its enforced contemplation
of the sordid troubles, the droning vexations, of life.
Public-domain text, read in full here on John Shaqi.
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