American essays -- 19th century; Literature -- History and criticism
And who that has ever watched a party of children, listening with
bright eyes and parted lips to some weird, uncanny legend,--like that
group of little girls for instance, in Mr. Charles Gregory’s picture
Tales and Wonders,--can doubt for a moment the “fearful joy” that
terror lends them? Nowadays, it is true, their youthful ears are but
too well guarded from such indiscretions until they are old enough to
scoff at all fantastic folly, and the age at which they learn to scoff
is one of the most astonishing things about our modern progress. They
have ceased to read fairy stories, because they no longer believe in
fairies; they find Hans Andersen silly, and the Arabian Nights stupid;
and the very babies, “skeptics in long-coats,” scorn you openly if you
venture to hint at Santa Claus. “What did Kriss Kringle bring you this
Christmas?” I rashly asked a tiny mite of a girl; and her answer was as
emphatic as Betsey Prig’s, when, with folded arms and a contemptuous
mien, she let fall the ever memorable words, “I don’t believe there’s
no sich a person.”
Yet the supernatural, provided it be not too horrible, is legitimate
food for a child’s mind, nourishes its imagination, inspires a
healthy awe, and is death to that precocious pedantry which is the
least pleasing trait that children are wont to manifest. While few
are willing to go as far as Mr. Ruskin, who, having himself been
brought up on fairy legends, confesses that his “first impulse would
be to insist upon every story we tell to a child being untrue, and
every scene we paint for it impossible,” yet a fair proportion of the
untrue and the impossible should enter into its education, and it
should be left to the enjoyment of them as long as may be. Those of
us who have been happy enough to believe that salamanders basked in
the fire and mermaids swam in the deeps, that were-wolves roamed in
the forests and witches rode in the storm, are richer by all these
unfading pictures and unforgotten memories than our more scrupulously
reared neighbors. And what if we could give such things the semblance
of reality once more,--could set foot in spirit within the enchanted
forest of Broceliande, and enjoy the tempestuous gusts of fear that
shook the heart-strings of the Breton peasant, as the great trees
drew their mysterious shadows above his head? On either side lurk
shadowy forms of elf and fairy, half hidden by the swelling trunks; the
wind whispers in the heavy boughs, and he hears their low, malicious
laughter; the dry leaves rustle beneath his feet,--he knows their
stealthy steps are close behind; a broken twig falls on his shoulder,
and he starts trembling, for unseen hands have touched him. Around
his neck hang a silver medal of Our Lady and a bit of ash wood given
him by a wise woman, whom many believe a witch; thus is he doubly
guarded from the powers of evil. Beyond the forest lies the open path,
where wife and children stand waiting by the cottage door. He is a
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