American essays -- 19th century; Literature -- History and criticism
Faults of breeding were quite as offensive to this _grande dame_ as
faults of temper. The fear of her pitiless glance filled her daughters
with timidity, and bred in them a _mauvaise honte_, which in its turn
aroused her deadliest ire. Only a week before her wedding-day Madame
de Rochefoucauld was sent ignominiously to dine at a side table, as a
penance for the awkwardness of her curtsy; while even her fast-growing
beauty became but a fresh source of misfortune. The dressing of her
magnificent hair occupied two long hours every day, and she retained
all her life a most distinct and painful recollection of her sufferings
at the hands of her _coiffeuse_.
To turn from the Marquise de Montmirail to Madame Quinet is to see the
picture intensified. More beautiful, more stately, more unswerving
still, her faith in discipline was unbounded, and her practice in
no wise inconsistent with her belief. It was actually one of the
institutions of her married life that a _garde de ville_ should pay
a domiciliary visit twice a week to chastise the three children. If
by chance they had not been naughty, then the punishment might be
referred to the account of future transgressions,--an arrangement
which, while it insured justice to the culprits, can hardly have
afforded them much encouragement to amend. Her son Jerome, who ran
away when a mere boy to enroll with the volunteers of ’92, reproduced
in later years, for the benefit of his own household, many of his
mother’s most striking characteristics. He was the father of Edgar
Quinet, the poet, a child whose precocious abilities seem never to
have awakened within him either parental affection or parental pride.
Silent, austere, repellent, he offered no caresses, and was obeyed
with timid submission. “The gaze of his large blue eyes,” says Dowden,
“imposed restraint with silent authority. His mockery, the play of an
intellect unsympathetic by resolve and upon principle, was freezing
to a child; and the most distinct consciousness which his presence
produced upon the boy was the assurance that he, Edgar, was infallibly
about to do something which would cause displeasure.” That this was a
common attitude with parents in the old _régime_ may be inferred from
Châteaubriand’s statement that he and his sister, transformed into
statues by their father’s presence, recovered their life only when he
left the room; and by the assertion of Mirabeau that even while at
school, two hundred leagues away from _his_ father, “the mere thought
of him made me dread every youthful amusement which could be followed
by the slightest unfavorable result.”
Public-domain text, read in full here on John Shaqi.
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