Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman Empire to the close of the seventeenth century, Vol. IPutnam, George Haven
History
Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman Empire to the close of the seventeenth century, Vol. I
Putnam, George Haven
Books -- History -- 400-1450; Copyright; Freedom of the press -- History -- To 1500; Manuscripts; Printers
Cassiodorus must have possessed very exceptional adaptability of
character, not to say elasticity of conscience, to be able, during
a period extending over nearly half a century, to retain the favour
of so many of the successive rulers of Italy and apparently to make
his services necessary to each one of them. It is certain, however,
that Italy benefited largely by the fact that through the various
contests and changes of monarchs, it had been possible to preserve a
certain continuity of executive policy and of administrative methods.
The further fact that the “perpetual” or at least the continuing
minister was at once a Greek and a Roman, and not only a statesman but
a scholar, and that he had succeeded in preserving through all the
devastations of civil wars and of foreign invasions a great collection
of classic books and a persistent (even though restricted) interest in
classic literature, exercised an enormous influence upon the culture
of Europe for centuries to come. The career of Cassiodorus had, as we
have seen, been varied and honourable. It was, however, his exceptional
fortune to be able to render the most important and the most
distinctive service of his life after his life’s work had apparently
been completed.
Shortly after his withdrawal to Bruttii, and when, as said, he was
already more than sixty years old, he retired to his monastery,
Vivaria, and during the thirty-six years of activity that remained for
him, he not only completed a number of important literary productions
of his own, but he organised the literary work of the monastery
_scriptorium_, which served as a model for that of Monte Cassino, and,
through Monte Cassino, for the long series of Benedictine monasteries
that came into existence throughout Europe. It was the hand of
Cassiodorus which gave the literary impetus to the Benedictine Order,
and it was from his magnificent collection of manuscripts, rescued from
the ruins of the libraries of Italy, that was supplied material for the
pens of thousands of monastic scribes.
After his retirement to Bruttii, Cassiodorus founded a second
monastery, known as Mons Castellius, the work of which was planned
for a more austere class of hermits than those who had associated
themselves together at Vivaria. Of both monasteries he retained the
practical control, and, according to Trithemius (whose opinion is
accepted by Montalembert) of Vivaria he became abbot.[13] Hodgkin,
while himself citing the extract from Trithemius, thinks it possible
that Cassiodorus never formally became abbot, but says that the
direction and supervision of the work of the two monasteries rested in
any case in his hands.[14]
Public-domain text, read in full here on John Shaqi.
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