In the account given by Cassiodorus of the _scriptorium_ of his monastery, he describes, with an enthusiasm which ought to have been contagious, the noble work done there by the _antiquarius_[17]: “He may fill his mind with the Scriptures while copying the sayings of the Lord; with his fingers he gives life to men and arms against the wiles of the devil. As the _antiquarius_ copies the words of Christ, so many wounds does he inflict upon Satan. What he writes in his cell will be scattered far and wide over distant provinces. Man multiplies the words of Heaven, and, if I may dare so to speak, the three fingers of his right hand are made to express the utterances of the Holy Trinity. The fast travelling reed writes down the holy words and thus avenges the malice of the Wicked One, who caused a reed to be used to smite the head of the Saviour.” The passage here quoted refers only to the work of the copyists of the Christian Scriptures. There are other references, however, in the same work to indicate that the activity of the _scriptorium_ was not confined to these, but was also employed on secular literature.[18] The devotion and application of the monks produced in the course of years a class of scribes whose work in the transcribing and illuminating of manuscripts far surpassed in perfection and beauty the productions of the copyists of classic Rome. In the monasteries north of the Alps the work of the scribes was, for the earlier centuries, devoted principally to the production of copies of missals and other books of devotion and of portions of the Scriptures. In Italy, however, where classical culture never entirely disappeared, attention continued to be given to the transcription of the Latin texts of which any manuscripts had been preserved, and it was these transcripts of the monks of Cassiodorus and S. Benedict that gave the “copy” for the first editions of Cicero, Virgil, and the other classic writers, produced by the earliest printers of Germany and Italy. Cassiodorus took pains to emphasise the importance of binding the sacred codices in covers worthy of the beauty of their contents, following the example of the householder in the parable, who provided wedding garments for all who came to the supper of his son. One pattern volume had been prepared containing samples of various sorts of covers, from which the scribe might choose that which pleased him best. The abbot had also provided, to help the nightly toil of the _scriptorium_, mechanical lamps of some ingenious construction which appears to have made them self-trimming and to have insured a continuously sufficient supply of oil. The labour of the scribes was regulated on bright days by sun-dials, and on cloudy days and during the hours of the night by water-clocks.