Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. IIPutnam, George Haven
History
Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. II
Putnam, George Haven
Books -- History -- 400-1450; Copyright; Freedom of the press -- History -- To 1500; Manuscripts; Printers
The leading German publishers of Koberger’s generation were fortunate
in having at hand a number of scholars who were ready to render service
in the selection and editing of manuscripts, in the collating of
texts, and in the supervision of the work of the typesetters. In the
beginning of the sixteenth century, a man who was competent to fill
the office described in the publishing records as “press-corrector,”
required to possess a varied and comprehensive scholarship. A mastery
of Latin was an acquirement so usual as not in itself to constitute
any claim to scholarly attainment. With this knowledge, it was,
however, essential, at a time when so large a proportion of the works
printed belonged to the class of theology, for the corrector to be
versed in Hebrew and in Greek. As the typesetters were collected from
different parts of Europe, it was also convenient, if not necessary,
for the man who supervised their work to possess a working knowledge,
at least, of German, French, Italian, and Dutch. The selection and
collation of manuscripts, with the purpose of securing a fairly correct
“copy” for the printed text, called for a certain measure of skill in
palæography, and also necessitated such familiarity with the classic
writers or Church Fathers as would enable the more evident blunders of
the scribes to be corrected by the general sense of the context. It
was not unusual, as the records of various of the earlier publishing
offices show, to utilise as the basis of the printed text half a
dozen, or occasionally as many as a dozen manuscripts, in which case
the preparation of the final “copy” for the typesetters rested with
the correctors. Among the scholarly associates who did work of this
kind for the Press of Koberger, were his friend Amerbach, of Basel;
Professor Frissner, of Leipzig; Pirckheimer, of Nuremberg; Von Wyle,
Wimpfeling, and Beckenhaub. The last named was an ecclesiastic from
Mayence.
Among the responsibilities that came upon the correctors was that of
visiting the libraries or monasteries where famous manuscripts were
preserved, and of arranging, when practicable, for the hire or the loan
of such manuscripts. When, as was frequently the case, the custodians
were unwilling to permit their parchments to go out of their hands, the
transcripts for the use of the typesetters had to be prepared (often
with considerable difficulty) in the place where the manuscript was
stored--sometimes even on the old _armarium_ (or library chest) to
which the parchment was chained. Some of these transcripts were made
by the correctors themselves. From time to time, when it did not seem
practicable to arrange for the copying, we find the publishers offering
for the original manuscripts prices which, under modern calculations,
seem to be exorbitant, and which must have constituted a very serious
addition indeed to the risk of these earlier publishing undertakings.
Public-domain text, read in full here on John Shaqi.
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