Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. IIPutnam, George Haven
History
Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. II
Putnam, George Haven
Books -- History -- 400-1450; Copyright; Freedom of the press -- History -- To 1500; Manuscripts; Printers
The _Adagia_, the first of the books of Erasmus which brought him
into fame, was originally printed in Paris in 1500. Drummond is of
opinion that this first edition was put together hurriedly for the
purpose of recruiting the exhausted finances of its author by means
of a publication which was “sure to sell.”[96] It seems evident that
Erasmus considered the receipts from its sale important, but he
fails to mention the amount actually realised or the nature of the
several publishing arrangements under which it was published. Several
references give the impression, however, that the author himself
retained the ownership of his Paris edition. He writes in 1504 to
Colet, Dean of St. Paul’s, asking the Dean to look up for him the
matter of one hundred copies of the _Adagia_ sent to London three years
back, for “which he had received no returns.” He understands the copies
have all been sold, and concludes, not unnaturally, that “somebody must
have got the money.”[97] He makes no later reference to the business,
and we may therefore hope that the books were finally paid for.
While it is certain that Erasmus secured considerable sums for the
sale of the _Adagia_, and, later, from the _Encomium Moriæ_, it is
equally clear that during all the earlier portion of his life he
was in continued need of money, and in addition to accepting with
expectant gratitude presents from various friends, he found occasion
for frequent applications for gifts to other friends and to possible
patrons. From the point of view of to-day, many of these letters appear
to be seriously lacking in the dignity and self-respect which ought to
have characterised a great author and an intellectual leader. It would
however be very absurd to arrive at a judgment in the matter from the
standpoint of the nineteenth century, when from the vantage-ground of
an assured copyright protection, authors are able to dictate terms
to publishers and readers. In applying to people of wealth for means
with which to continue or extend his studies, Erasmus feels evidently
that he is asking help not so much for himself personally, as for
the literature and scholarship of which he is the representative.
It is an appeal for the endowment of research. He appears also to
have possessed no capacity for keeping a balance-sheet, or for a
business-like management of his resources, and when money did come into
his hands, it disappeared very rapidly. It is to be remembered that
while he was willing to beg, and was ready for the sake of financial
aid to write flattering letters to possible patrons, he appears never
to have been willing to sacrifice for the favour of such patrons any
measure of conviction or of consistency. On various occasions he put
to one side opportunities for gain or for advancement which involved
as conditions what seemed to him to be a sacrifice of personal
independence or of honestly held opinions. In fact, excepting in this
matter of subsidies from patrons, Erasmus may fairly claim to have
Public-domain text, read in full here on John Shaqi.
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