Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. IIPutnam, George Haven
History
Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. II
Putnam, George Haven
Books -- History -- 400-1450; Copyright; Freedom of the press -- History -- To 1500; Manuscripts; Printers
shown in his career, under very great pressure from various quarters,
a clear-headed, well-balanced and courageous independence of opinion
and of action that was most exceptional at a time when theological
partisanship was bitter to the point of ferocity. It is also to be
borne in mind that when, through the satisfactory management of his
literary undertakings on the part, first of Aldus, and later and most
importantly, of his good friend Froben, Erasmus began to secure from
his writings an assured income, the disagreeable subsidy suggestions
disappear from his correspondence, although he is still very ready
to accept _honoraria_ from appreciative friends. It is certainly not
a little to the credit of both Erasmus and his publisher, that there
is no single instance in the long correspondence of an application
to Froben for moneys, either as “advances” or as loans, or a single
complaint about inadequacy of payments. In fact, as specified later,
Erasmus criticises Froben for undue liberality to himself.
The first journey to Italy would probably not have been undertaken (or
at least not at that time) if it had not been for the friendly help
of the Lady of Vere. Froude doubtless, however, sacrifices (and not
for the first time) accuracy of statement to dramatic antithesis when
he writes: “Without Mæcenas we might have had no _Odes_ or _Satires_
from Horace; without the Duke of Lerma we should have had no _Don
Quixote_; without the Duke of Weimar we might have had no _Faust_;
without the Lady of Vere there would have been no _New Testament_, no
_Moriæ_, no _Colloquies_.” This is a kind of _reductio ad absurdum_, an
attempt to make the production of men of creative power depend upon,
instead of being merely furthered by, the help of their patrons. But
Froude probably does not mean to be taken seriously. He goes on to
say: “The patronage system may not be the best, but it is better than
leaving genius to be smothered or debased by misery, and when genius
is taught that life depends on pleasing the readers at the shilling
book-stalls, it may be smothered that way too, for all that I can see
to the contrary.”[98] It is not easy to understand to what book-stall
influences Froude refers, although we can recall certain strictures of
Freeman to the effect that Froude himself attempted to debase history
to the level of the readers of “shilling shockers.”
Public-domain text, read in full here on John Shaqi.
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