Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. IIPutnam, George Haven
History
Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. II
Putnam, George Haven
Books -- History -- 400-1450; Copyright; Freedom of the press -- History -- To 1500; Manuscripts; Printers
1481. “The Mirrour of the World,” translated from the French by
Caxton. Folio, with illustrations.
The French version from which Caxton worked was that of “Maître
Gossevin,” which was itself based upon the metrical version,
prepared, in 1245, by the Duke of Berri. The Latin original,
“Speculum vel Imago Mundi,” was the work of some unknown author
writing early in the thirteenth century. The number of manuscript
copies which had been preserved, is evidence of its early
popularity. Caxton’s judgment in reviving the work in an English
version and a printed edition proved to be well founded, as it
passed through various editions. This first edition was, however,
not the speculation of the printer, the cost of its production
having been borne by Alderman Hugh Brice.[54]
1481. “The History of Reynard the Fox.” Folio. A translation
prepared by Caxton from a Flemish version of the popular legend.
1481. “Tully on Old Age”; “Tully on Friendship”; “The Declamation
of Noblesse.” Folio. “Emprynted by me, symple person, William
Caxton.”
This translation was made, as is stated in the Prologue, “at the
ordinance and desire of Sir John Falstoffe.”
1481. “Cura Sapientiæ,” or the “Court of Sapience.” By John Lydgate.
This poet, several of whose productions have been preserved by
Caxton’s Press, died in 1461, about fifteen years before Caxton
began his printing work. While not quite a contemporary, he was
one of the few English authors of his own times with whom Caxton’s
imprint is associated. The poem presents a debate between Mercy,
Truth, Justice, and Peace, together with a metrical description
of theology, geography, natural history, horticulture, grammar,
rhetoric, arithmetic, geometry, music, and astronomy. I am not
sure from the description whether it is to be classed with light
literature, or may properly be considered as one of the publisher’s
“solid” productions.
The author is frank enough in regard to his own deficiencies. He
writes:
I am a monk by my profession,
Of Bury, called John Lydgate by my name,
And wear a habit of perfection,
Although my life agree not with the same.
1481. “The History of Godfrey of Bulloigne, or the Conquest of
Jerusalem.” Folio. A translation by Caxton from an anonymous French
chronicle.
“Polychronicon.” Folio. “Imprinted and set in forme by me William
Caxton.”
Public-domain text, read in full here on John Shaqi.
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