Boys Who Became Famous Men: Stories of the Childhood of Poets, Artists, and MusiciansSkinner, Harriet Pearl
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Boys Who Became Famous Men: Stories of the Childhood of Poets, Artists, and Musicians
Skinner, Harriet Pearl
Biography -- Juvenile literature; Boys -- Biography
Tonin worked with the others, and when the sculptured nymphs were
brought to view, his delight knew no bounds. Taking up his position
before the last erected one, he stood with folded arms, silently,
wonderingly drinking in the beauties which Toretto's chisel had
effected. He was wholly lost to time and place and was quite unaware
that the servants had removed all traces of packing and litter, and that
a bevy of maids were now seated in the gallery, weaving garlands at
Pasino's order, for the festooning of the unfinished pedestals. He was
so absorbed in the snowy goddess before him that he was deaf to
everything until old Vittori's voice suddenly rent the gallery's
stillness with something between a groan and a shriek.
"Where is the aquarium? Who's seen my gold-fish? Answer, somebody, or
I'll throw you all out of the window! Oh, I shall be disgraced and
discharged and maybe half killed! Where is it? Why don't you speak?"
The seneschal's appearance, as well as his words, indicated unusual
excitement, for his scarlet robe was thrown open at the throat, his
frosty locks were rumpled, his uplifted hands were shaking, and his lips
were twitching uncannily.
"What's the matter? What's wrong?" demanded a dozen voices, but Tonin
darted across to the old man's side with the announcement--
"Giuseppe carried it away this afternoon as a present to his cousin
David."
"My-o! My-o! I am lost, I am done, I am dead!" ejaculated the seneschal,
wringing his hands.
"What's the trouble, Vittori?" asked Pasino, laying a quieting hand
upon the shoulder of his agitated friend.
"It is this," returned the seneschal hoarsely; "the duke ordered me to
send to the table a fresh ornamental centrepiece with each course,
making every one handsomer than the one used before it. I did so, and
all has now been served but the dessert, and that will be due in about
fifteen minutes. For this fancy piece I have filled a great tray with
Parma violets on snow, thousands of them--and in the midst of the
flowers I planned to set the aquarium of goldfish for a bit of color and
life. My-o! My-o! What shall I do?" and once again the seneschal fell to
moaning.
"Build a column of fruit in the centre of the tray," suggested Pasino.
"Impossible! I used a pyramid of apricots and nectarines for the second
course."
"Wouldn't a lighted candle or lamp do?" inquired Pasino, earnestly
endeavoring to find relief for the seneschal.
"No! No!" wailed Vittori; "lighted things would melt the snow."
"To be sure," agreed Pasino sympathetically.
"I know something that might be pretty," ventured Tonin timidly.
"What is it?" Vittori demanded.
For answer the boy turned from the seneschal and his fellow-retainers,
and whispered to Pasino apart. The old man's face brightened as he
received the boy's confidence.
"I don't know," he commented; "but it ought to be good--yes, yes, it
would be, it would indeed!"
Public-domain text, read in full here on John Shaqi.
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