Boys Who Became Famous Men: Stories of the Childhood of Poets, Artists, and MusiciansSkinner, Harriet Pearl
General
Boys Who Became Famous Men: Stories of the Childhood of Poets, Artists, and Musicians
Skinner, Harriet Pearl
Biography -- Juvenile literature; Boys -- Biography
"Then let him put it through," shouted the seneschal desperately. "I
can't wait to hear what it is, for I'm late now. Do as he says,
everybody, for I've got to trust my reputation to this stripling whether
I like it or not. Saints help him, for if the work is a failure, woe to
poor Vittori! Have your ornament ready in the lower rear passage, lad,
when the tray goes through to the banquet-room. Everything else shall
be taken in first, so that you may have as much time as possible."
Off went the harassed seneschal, and Tonin, beset with misgivings lest
he had been both rash and bold in his offer of assistance, addressed the
grooms with outward composure.
"Bring me a firkin of butter, a pail of the coldest spring water, and a
big china platter."
His orders were swiftly obeyed, and all looked on with expectant
interest while he directed a servant to dig from the cask as much butter
as could be heaped on the platter. Next he rolled back his sleeves and
plunged his hands into the water-pail, holding them there until they
were sufficiently cooled for his purpose, then attacking the butter with
his dripping fingers, he rolled and patted it into a goodly loaf, with
motions so quick and decisive that the spectators fairly blinked.
Seizing a small chisel and a pointed wooden blade from Pasino's
tool-chest, Tonin began to convert the meaningless dairy lump into a
form familiar to all beholders.
With the touch of his nimble instruments, attended by occasional taps
and pressures from his lithe brown fingers, the loaf vanished, and in
its place appeared a noble lion, quite as though Tonin's chisel had been
a magic wand which had freed the king of the forest from a stifling and
hideous disguise.
[Illustration: "In its place appeared a noble lion."]
The tawny beast, with his bushy head, slender body, powerful limbs, and
graceful tail, brought a torrent of babbling admiration from the
on-lookers; but Tonin, heedless of their chatter, sought out his
grandfather with questioning glance. He received a quiet nod from
Pasino, and drying his hands on a corner of his hempen apron, he caught
up the platter and carried it to the appointed place below stairs,
followed by Pasino and a train of chuckling servants.
He had gauged the time exactly, for as he stepped into the low-ceiled
passage, six flower-maidens, bearing the debatable centrepiece, entered
from the opposite doorway. The seneschal joined them immediately, and
without a word set Tonin's lion in the centre of the snowy field,
enclosed on every side by drifts of Parma violets. Vittori then abruptly
directed the maidens to enter the banquet-hall with their ornament.
That the seneschal was alarmed lest the duke would not be pleased with
this hastily contrived decoration, Tonin read at a glance; and
impulsively he threw himself before the carriers to stay their progress.
"Don't send it in if it isn't right, Master Vittori! Try something else,
please!" he implored.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account