The _Uruguay_ especially reveals this nascent nationalism as it
existed among the loyal Portuguese in the epoch just previous to the
_Inconfidencia_. “We must remember that the work of the Mineira poets”
(and here Verissimo includes, of course, the lyrists to which we
presently come) “abound in impressions of loyalty to Portugal.… Let us
not forget José Bonifacio, the so-called patriarch of our Independence,
served Portugal devotedly first as scientist in official intellectual
commissions and professor at the University of Coimbra, and then as
volunteer Major of the Academic Corps against the French of Napoleon,
and finally as Intendente Geral, or as we should say today, Chief of
Police, of the city of Porto. And José Bonifacio, like Washington, was
at first hostile, or at least averse, to independence.”
The _Uruguay_ is certainly less intense than the Caramurú in its
patriotism. The author of the first wrote it, as he said, to satisfy a
certain curiosity about Uruguay; also, he might have added, to flatter
his patron, the then powerful Pombal, who, it will be recalled, at
one time harboured the idea of transplanting the Portuguese throne to
the colony across the sea. It would be an error, however, to see in
the small epic (but five cantos long) a glorification of the native.
The real hero, as Verissimo shows, is not Cacambo, but the Portuguese
General Gomes Freire de Andrade. The villains, of course, are the
Jesuits out of whose fold the author had come,--the helpers of the
Indians of Uruguay who revolted against the treaty between Portugal
and Spain according to which they were given into the power of the
Portuguese. The action, for an epic, is thus restricted in both time
and space, let alone significance, yet thus early the liberating
genius of Basilio da Gama produced, for Portuguese literature,
“its first romantic poem.” Here is the first--or surely one of the
first--authentic evidences of what the Spanish-American critics call
“literary Americanism,”--all the more interesting because so largely
unpremeditated.
Public-domain text, read in full here on John Shaqi.
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