But South America has its native candidate for the title of Spanish "Uncle Tom's Cabin," and this, too, is the work of a woman. Clorinda Matto's "Aves Sin Nido" (Birds Without a Nest) is by one of Peru's most talented women, and exposes the disgraceful exploitation of the Indians by conscienceless citizens and priests who had sunk beneath their holy calling. It seems, indeed, that fiction as a whole in Peru has been left to the pens of the women. Such names as Joana Manuele Girriti de Belzu, Clorinda Matto and Mercedes Cabello de Carbonero stand for what is best in the South American novel. The epoch in which these women wrote (late nineteenth century) and the natural feminine tendency to put the house in order (whether it be the domestic or the national variety) led to such stories as Carbonero's "Las Consequencias," "El Conspirador" and "Blanca Sol." The first of these is an indictment of the Peruvian vice of gambling; the second throws an interesting light upon the origin of much of the internal strife of South America, and portrays a revolution brought on by the personal disappointment of a politician. "Blanca Sol" has been called a Peruvian "Madame Bovary." Although Brazil has not yet produced any Amazons of poetry or fiction to stand beside such names as Sor Ines de la Cruz or Gertrudis Gomez de Avallaneda, it has contributed some significant names to the women writers of Latin America. Not least among these is Carmen Dolores (Emilia Moncorvo Bandeira de Mello) who was born in 1852 at Rio de Janeiro and died in 1910, after achieving a wide reputation in the field of the short story, novel and feuilleton. In addition to these activities she made herself favorably known in the press of Rio, Sao Paulo and Pernambuco. Her career started with the novel _Confession_. Other works are _The Struggle_, _A Country Drama_, and _Brazilian Legends_. The story in this volume is taken from a collection entitled _The Complex Soul_. * * * * * * * The present selection of tales makes no pretense at completeness, finality or infallibility of choice. This little book is, so to speak, merely a modest sample-case. Some of the tales first appeared, in English, in the _Boston Evening Transcript_ and the _Stratford Journal_ (Boston), to which organs I am indebted for permission to reprint them. ISAAC GOLDBERG. _Roxbury, Mass._ THE ATTENDANT'S CONFESSION By Joaquim Maria Machado de Assis First President of the Brazilian Academy of Letters So it really seems to you that what happened to me in 1860 is worth while writing down? Very well. I'll tell you the story, but on the condition that you do not divulge it before my death. You'll not have to wait long--a week at most; I am a marked man.