Brazil -- Social life and customs -- Fiction; Short stories, Brazilian -- Translations into English
This had come about in a rather curious manner. Finding the
conversation of Fabio's wife and daughters too commonplace, Monjardin,
when he would recite some of his poems or tell some story connected
with his literary life, preferred to address Maria-Jose, whom he saw to
be of a serious and impressive nature.
"Let's have another poem, please, Mr. Monjardin!" she would ask in
supplicating tone. "For instance, that one you call 'Regrets.' You
know?"
And then he would describe in his verse the grief of a heart,
disillusioned and broken by the cruelties of fate, that evoked in vain
the remembrance of yesterday's lost loves, vanished in the mists of
eternal despair.
He recited these bitter griefs in a strong, healthy man's voice, erect
in the center of the parlor, looking mechanically, distractedly at
Maria-Jose with his dreamy eyes; the concentrated effort of his memory
brought to his face an involuntary immobility which Maria-Jose, most
deliciously touched, drank in.
The poet had announced that he had written a poem which he would recite
at Zeze's anniversary dinner. The date for this was but a few days
distant, and ever since the poet's announcement the whole family had
taken to teasing the old maid, christening her "the muse of
inspiration," and asking her when the wedding would take place....
She smiled ingenuously; at such times her face would even take on an
air of unusual happiness; her features grew animated, less wrinkled and
more firm.
On the day of the celebration Maria-Jose came out of her room radiant
with hope. At the belt of her white dress bloomed a rose; a little
blood, set pulsing by her agitated heart, brought a feeble color to her
marble cheeks, from which now protruded her long nose in a manner less
displeasing than usual.
"See, mamma," remarked one of the nieces, "doesn't Zeze look like a
young girl today?"
They dined amidst merry chatter. Seated directly across from Monjardin,
Maria-Jose, hiding her glances behind the fruit-bowls that covered the
table, looked at him furtively without surfeit. Her poor heart beat as
if it would burst, waiting in agonized suspense for the poem in which
the poet, without doubt, was to declare his intimate feelings for her.
Monjardin had already pointed to his pocket as a token that he had the
verses with him, and Zeze had trembled with gratification as she
bashfully lowered her long face.
Champagne sparkled in the glasses and toasts were given. Several guests
of distinction spoke first, then followed the hosts and their
children,--frolicsome little things. Finally Monjardin arose and
unfolded a manuscript, asking permission to declaim the verses which he
had composed in honor of Maria-Jose, the central figure of the
occasion. The guests greeted his remarks with noisy and enthusiastic
approbation.
"Hear! Hear!"
Public-domain text, read in full here on John Shaqi.
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