[Illustration: FIG. 75.--Saxon king and shield bearer. (MS., end of
10th century.)]
[Illustration: FIG. 76.--Anglo-Saxon horseman. (Cott. MS., Cleop. C.
8.)]
[Illustration: FIG. 77.--Saxon byrnie of leather. (Cott. MS., Cleop. C.
8.)]
[Illustration: FIG. 78.--Leather armour, 10th century.]
_The Byrnie or Battle-Sark_ was at times made of leather. In the figure
reproduced from a British Museum MS. (Fig. 77) the coat appears to be
of hide with much of the hair apparently left upon it; its lower edges
are dagged, and it defends the body and a part of the legs, whereas
in Fig. 78 the defensive covering appears only upon the upper part of
the body. The byrnie was also made of padded stuff judging from the
illustrations, but the earlier examples are so excessively crude and
inartistic that it is rash to make authoritative statements. When a
forest is indicated by four leaves and a twig, a mountain pass by
a bulbous mole-hill, and elaborate Saxon embroidery by half-a-dozen
scattered dots, it will readily be perceived that such a technical
detail as body armour cannot be definitely settled by these rude
drawings. Hence a controversy has arisen, which can by no means be
considered as definitely decided, upon the question as to whether the
Anglo-Saxons possessed byrnies of true interlinked chain mail. Hewitt
in his “Ancient Armour” maintains the affirmative, and contends that
the references in the poem of “Beowulf” to the “twisted breast-net,”
the “hard battle-net,” the “locked battle-shirt,” the “byrnie twisted
with hands,” the “war byrnie, hard and hand-locked,” can only mean
chain-mail. He further refers to the Bayeux Tapestry where a body is
being stripped, and the links show inside the hauberk as they are
represented on the outside. These arguments certainly carry weight,
but until a _bonâ-fide_ example of Anglo-Saxon manufacture is brought
to light the question must apparently be left in abeyance. One of the
modes of defence concerning which there is no doubt was the sewing on
of separate flat rings of iron to a tunic of woven material or leather,
and also the covering of the same with metal or leather plates,
either cut into the form of scales and overlapping, or square or oblong.
[Illustration: PLATE VII*
Milanese Salade, Fifteenth Century
_A. F. Calvert_]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account