A very interesting little group is shown in Fig. 79 from a Saxon MS.,
Cleopatra B. 4, in the British Museum. The book is Ælfric’s Paraphrase
of the Pentateuch and Joshua, and the subject of the drawing is the
battle of the three kings against the cities of the plain. One king
is habited in a ringed byrnie which extends to the knees and half way
down the arms; he wields a sword with a trilobed pommel and short
quillons, and defends himself with a shield having a spiked umbo. His
armour-bearer carries another shield, but is quite unarmed, his duty
merely being to defend his master. The Phrygian cap and simple tunic
he wears are probably those of everyday life. The second king has no
defensive armour and no armour-bearer, unless the figure seen behind
him in a grotesque attitude fulfils that office. The bifid beards and
the characteristic Saxon wrinkling of the sleeves should be noticed, as
also that the legs of the group appear to be bare.
[Illustration: FIG. 79.--Group from Cott. MS., Cleop. B. 4. _c._ 1000.]
[Illustration: FIG. 80.--From Anglo-Saxon MS., Prudentius, 11th
century.]
The leg-bands seen upon the Saxon soldiery were similar to those worn
by all civilians, and adjusted in the same manner; if, however, they
were of leather instead of the usual textile fabric a certain amount of
defence could be obtained (Figs. 77 and 80). It is curious to observe
that a number of soldiers are habited precisely as the civilians,
with no other defences than the helmet and the shield, from which we
conclude that the Anglo-Saxon of an early period simply dropped his
implements of husbandry at the call to arms and took up the shield,
helmet, and the spear.
Towards the latter end of the Saxon period the arms and armour
became almost identical with that in use on the Continent owing to
the constant intercourse which occurred in the reign of Edward the
Confessor, so that in 1066 the difference in accoutrement was simply
small matters of detail.
THE DANES
[Illustration: FIG. 81.--Danish helmet, shield, and sword.]
Public-domain text, read in full here on John Shaqi.
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