the individual dancing of men who do not dance for the purpose of touching women's hands, or indulging in small talk, but for the purpose of dancing; and who apply themselves seriously and skilfully to their work--to wit, the scientific performance of a jig. I chanced to pass one evening, in the Christmas-time, at a country inn in a little Carmarthenshire village remote from railways. Certain wanderings through green lanes (and the lanes were still green, although it was cold, mid-winter weather) had brought me to the place at dusk, and, being weary, I had resolved to rest there for the night. Some local festivity of the season had taken place during the day, which had drawn into the village an unusual number of farmer-folk from the immediate neighbourhood. After a simple dinner off a chop and a half-pint of cwrw da, I strolled into what they called the smoke-room, by way of distinguishing it from the tap-room adjoining. It was a plain little apartment, with high-backed wooden settles nearly up to the ceiling, which gave an old-fashioned air of comfort to the place. Two or three farmers were sitting there drinking their beer and smoking their pipes, and toasting their trouserless shins before the blazing fire. Presently a Welsh harper with his harp entered from out-doors, and, seating himself in a corner of the room, began to tune his instrument. The room quickly filled up with men and women, and though no drinks but beer and 'pop' were indulged in (save that some of the women drank tea), Bacchus never saw a more genial company. Some one sang an English song with words like these: Thrice welcome, old Christmas, we greet thee again, With laughter and innocent mirth in thy train; Let joy fill the heart, and shine on the brow, While we snatch a sweet kiss 'neath the mistletoe-bough-- The mistletoe-bough, The mistletoe-bough, We will snatch a sweet kiss 'neath the mistletoe-bough.