British Goblins: Welsh Folk-lore, Fairy Mythology, Legends and TraditionsSikes, Wirt
History
British Goblins: Welsh Folk-lore, Fairy Mythology, Legends and Traditions
Sikes, Wirt
Folklore -- Wales; Goblins -- Wales; Mythology, Celtic -- Wales; Mythology, Welsh; Wales -- Social life and customs
that Morgan ap Rhys denied bread and cheese to a fellow creature.' The
travellers proceeded to help themselves, while Morgan continued to
drink and smoke, and to sing after his fashion, which was a very rough
fashion indeed. As they were about to go, the fairy travellers turned
to Morgan and said, 'Since you have been so generous we will show that
we are grateful. It is in our power to grant you any one wish you may
have; therefore tell us what that wish may be.'
'Ho, ho!' said Morgan, 'is that the case? Ah, I see you are making
sport of me. Wela, wela, the wish of my heart is to have a harp that
will play under my fingers no matter how ill I strike it; a harp that
will play lively tunes, look you; no melancholy music for me!' He had
hardly spoken, when to his astonishment, there on the hearth before
him stood a splendid harp, and he was alone. 'Waw!' cried Morgan,
'they're gone already.' Then looking behind him he saw they had not
taken the bread and cheese they had cut off, after all. ''Twas the
fairies, perhaps,' he muttered, but sat serenely quaffing his beer,
and staring at the harp. There was a sound of footsteps behind him,
and his wife came in from out doors with some friends. Morgan feeling
very jolly, thought he would raise a little laughter among them by
displaying his want of skill upon the harp. So he commenced to
play--oh, what a mad and capering tune it was! 'Waw!' said Morgan,
'but this is a harp. Holo! what ails you all?' For as fast as he
played his neighbours danced, every man, woman, and child of them all
footing it like mad creatures. Some of them bounded up against the
roof of the cottage till their heads cracked again; others spun round
and round, knocking over the furniture; and, as Morgan went on
thoughtlessly playing, they began to pray to him to stop before they
should be jolted to pieces. But Morgan found the scene too amusing to
want to stop; besides, he was enamoured of his own suddenly developed
skill as a musician; and he twanged the strings and laughed till his
sides ached and the tears rolled down his cheeks, at the antics of his
friends. Tired out at last he stopped, and the dancers fell exhausted
on the floor, the chairs, the tables, declaring the diawl himself was
in the harp. 'I know a tune worth two of that,' quoth Morgan, picking
up the harp again; but at sight of this motion all the company rushed
from the house and escaped, leaving Morgan rolling merrily in his
chair. Whenever Morgan got a little tipsy after that, he would get the
harp and set everybody round him to dancing; and the consequence was
he got a bad name, and no one would go near him. But all their
precautions did not prevent the neighbours from being caught now and
then, when Morgan took his revenge by making them dance till their
legs were broken, or some other damage was done them. Even lame people
and invalids were compelled to dance whenever they heard the music of
this diabolical telyn. In short, Morgan so abused his fairy gift that
Public-domain text, read in full here on John Shaqi.
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