Jews and more Jews, and Jewesses and still more Jewesses, were there, some of them married to Christians and turned Catholic, but betrayed by their Semitic type, although they talked of Lourdes and of the Holy Father with the best. After the “five-o’clock,” turned to a heavy meal of toast and buns, of Hugel loaf, of sandwiches, and of hot cake, the scented throng, restored by the refection after the day’s hard work of shopping, of driving here and there like souls in purgatory to call on people that they detested, and other labours of a like nature, slowly adjourned to a great hall in which a band was playing. As they walked through the passages, men pressed close up to women and murmured in their ears, telling them anecdotes that made them flush and giggle as they protested in an unprotesting style. Those were the days of the first advent of the Tango Argentino, the dance that since has circled the whole world, as it were, in a movement of the hips. Ladies pronounced it charming as they half closed their eyes and let a little shiver run across their lips. Men said it was the only dance that was worth dancing. It was so Spanish, so unconventional, and combined all the æsthetic movements of the figures on an Etruscan vase with the strange grace of the Hungarian gipsies . . . it was so, as one may say, so . . . as you may say . . . you know. When all were seated, the band, Hungarians, of course,—oh, those dear gipsies!—struck out into a rhythm, half rag-time, half habañera, canaille, but sensuous, and hands involuntarily, even the most aristocratic hands—of ladies whose immediate progenitors had been pork-packers in Chicago, or gambusinos who had struck it rich in Zacatecas,—tapped delicately, but usually a little out of time, upon the backs of chairs. A tall young man, looking as if he had got a holiday from a tailor’s fashion plate, his hair sleek, black, and stuck down to his head with a cosmetic, his trousers so immaculately creased they seemed cut out of cardboard, led out a girl dressed in a skirt so tight that she could not have moved in it had it not been cut open to the knee. Standing so close that one well-creased trouser leg disappeared in the tight skirt, he clasped her round the waist, holding her hand almost before her face. They twirled about, now bending low, now throwing out a leg, and then again revolving, all with a movement of the hips that seemed to blend the well-creased trouser and the half-open skirt into one inharmonious whole. The music grew more furious and the steps multiplied, till with a bound the girl threw herself for an instant into the male dancer’s arms, who put her back again upon the ground with as much care as if she had been a new-laid egg, and the pair bowed and disappeared.