She sat so a long interval, suffering stamped on her fine forehead,
indicated in the pink and white knots formed from her clenched hands.
Then, her lips partly opened and she lifted her head and looked long at
the covered face of the man on the bed. Her breath was swift and shallow
and her attitude that of one who nerves herself for an ordeal. Once, she
looked down at the hand on the bed near her and touched with her own
the hardened, soiled fingers, then gave a shake to her head that was
almost a shudder, straightened in her chair and muttered aloud,
"He said ... I had the sand...."
She leaned forward, stretched a hand to the towel which covered the
man's face, hesitated just an instant, caught her breath, lifted the
shrouding cloth and gave a long, shivering sigh as she sat back in her
chair.
At that moment Bruce Bayard in the corral across the street, pulled the
bridle over his sorrel's ears. He slung the contrivance on one arm and
held the animal's hot, white muzzle in his hands a moment. He squeezed
so tightly that the horse shook his head and lifted a fore foot in
protest and then, alarmed, backed quickly away.
"... I didn't intend it, Abe," the man muttered. "... I was thinkin'
about somethin' else."
CHAPTER IV
A REVELATION
When Bayard returned to the Manzanita House, he ran up the stairs with
an eagerness that was not in the least inspired by a desire to return to
his watching over the man he had chosen to succor. He strode down the
hallway and into the room with his keen anticipation thinly disguised by
a sham concern. And within the doorway he halted abruptly, for the woman
who had helped him, whose presence there had brought him back from his
horse on a run, sat at the bedside with her hands limp in her lap and
about her bearing an air that quite staggered him. Her face was as
nearly expressionless as a human countenance can become. It was as if
something had occurred which had taken from her all emotion, all ability
to respond to any mental or sensory influence. For the moment, she was
crushed, and so completely that even her reflexes did not react to the
horror of the revelation. She did not look at Bayard, did not move; she
might have been without the sense of sight or hearing; she did not even
breathe perceptibly; just sat there with a fixity that frightened him.
"Why, Miss!" he cried in confused alarm. "I ... I wouldn't left you--"
She roused on his cry and shook her head, and he thought she wanted him
to stop, so he stood there through an awkward moment, waiting for her to
say more.
"Course, it was too much for you!" he concluded aloud,
self-reproachfully, when she did not speak. "You're tired; this ... this
takin' care of this booze-soaked carcass was too much to ask of you.
I--"
"Don't," she said, in a dry, flat voice, looking up at him appealingly,
mastering her voice with a heroic effort. "Don't, please! This.... This
booze-soaked ... carcass ...
"He is my husband."
Public-domain text, read in full here on John Shaqi.
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