Buddhism in the Modern WorldSaunders, Kenneth J. (Kenneth James)
Religion
Buddhism in the Modern World
Saunders, Kenneth J. (Kenneth James)
Buddhism
1. The Cremation of a Singhalese Abbot.
A great Singhalese abbot has passed away. It is a national event. The
hillside near Kandy is thronged with great companies of monks in every
shade of yellow and brown, while around them surges a sombre sea of
the faithful laity. In the centre of the huge assemblage is the
funeral-pyre, draped in white and red. Standing beside it, a monk is
telling in solemn and mournful tones of the greatness and goodness of
the departed, who, though he had not become worthy of _Nibbāna_, had
his feet surely set upon the upward path leading to a good rebirth in
_so-wan_, a heaven. Then amidst solemn chanting and the wailing of
flutes and throbbing of drums he applies a torch to the pyre. While
the people bow their heads and cry "_sadhu_" (Amen), the body turns to
ashes. Then solemnly and silently the great throng disperses, the lay
people to take up the ordinary duties of life, the monks to meditate
upon its transient character and unreality. And here a young novice,
to whom the dead man has been very dear, stays weeping, until the last
embers die down and night comes swiftly on.
2. The Funeral Rites of a Burmese Monk.
Another funeral scene. It is that of a Buddhist monk in Burma--a
_Hpongyi_. The whole countryside is present. In clothing of exquisite
silk, resembling a brilliant swarm of butterflies, the people surround
the great catafalque, blazing with tinsel and gold leaf, on which lies
the embalmed body of the monk. After a time the coffin is taken down
and a programme of merry-making begins. The young bloods of the
village to which the monk has belonged, range themselves in two
carefully picked teams on either side of it. Then begins a tug-of-war
with the body in its coffin, the victorious team treating the defeated
to drinks, and to side shows at the little booths which cluster round,
awaiting custom. These and other contests make a glad and joyful scene
at which all the people rejoice, for has not the good man been
released from this transient life (which, nevertheless, is good and
satisfying while blood is hot and youth endures)? Has he not returned
to a life of glory, and won much merit for his own folk and for all
the faithful?
Public-domain text, read in full here on John Shaqi.
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