Among the most interesting and important discoveries which we owe to recent archæological researches in India must undoubtedly be reckoned those of the Buddhist carvings on the railings round the dome-shaped relic shrines of Sānchi, Amaravatī, and Bharhut. There have been there found, very boldly and clearly sculptured in deep bas-relief, figures which were at first thought to represent merely scenes in Indian life. Even so their value as records of ancient civilization would have been of incalculable value; but they have acquired further importance since it has been proved that most of them are illustrations of the sacred Birth Stories in the Buddhist Jātaka book,--are scenes, that is, from the life of Gotama in his last or previous births. This would be incontestable in many cases from the carvings themselves, but it is rendered doubly sure by the titles of Jātakas having been found inscribed over a number of those of the bas-reliefs which have been last discovered--the carvings, namely, on the railing at Bharhut. It is not necessary to turn aside here to examine into the details of these discoveries. It is sufficient for our present inquiry into the age of the Jātaka stories that these ancient bas-reliefs afford indisputable evidence that the Birth Stories were already, at the end of the third century B.C., considered so sacred that they were chosen as the subjects to be represented round the most sacred Buddhist buildings, and that they were already popularly known under the technical name of ‘Jātakas.’ A detailed statement of all the Jātakas hitherto discovered on these Buddhist railings, and other places, will be found in one of the Tables appended to this Introduction; and it will be noticed that several of those tales translated below in this volume had thus been chosen, more than two thousand years ago, to fill places of honour round the relic shrines of the Great Teacher. One remarkable fact apparent from that Table will be that the Birth Stories are sometimes called in the inscriptions over the bas-reliefs by names different from those given to them in the Jātaka Book in the Pāli Piṭakas. This would seem, at first sight, to show that, although the very stories as we have them must have been known at the time when the bas-reliefs were carved, yet that the present collection, in which different names are clearly given at the end of each story, did not then exist. But, on the other hand, we not only find in the Jātaka Book itself very great uncertainty as to the names,--the same stories being called in different parts of the Book by different titles,[71]--but one of these very bas-reliefs has actually inscribed over it two distinct names in full![72]