15. *A Bulgarian Market Town 75
16. Blessing the Lamb on St. George's Day 78
17. *The Cathedral, Sofia 81
18. *An Adrianople Street 88
19. *The Shipka Pass 97
20. A Young Widow at her Husband's Grave 104
21. Gipsies 113
22. A Peasant of the Tsaribrod District 120
23. The Ratchenitza, the National Dance of Bulgaria 129
24. A Bagpiper 136
25. A Young Girl of Irn 145
26. Guarding the Flocks and Herds 152
27. An Old Street in Philippopolis 161
28. A Grave Question 168
29. A Young Man of the Choumla District 177
30. *A Bulgarian Farm 184
31. A Young Woman of the Roustchouk District 193
32. At the Well 200
_Sketch Map at end of Volume._
BULGARIA
CHAPTER I
BY WAY OF INTRODUCTION
Instructed in the autumn of 1912 to join the Bulgarian army, then
mobilising for war against Turkey, as war correspondent for the _London
Morning Post_, I made my preparations with the thought uppermost that I
was going to a cut-throat country where massacre was the national sport
and human life was regarded with no sentimental degree of respect. The
Bulgarians, a generation ago, had been paraded before the eyes of the
British people by the fiery eloquence of Mr. Gladstone as a deeply
suffering people, wretched victims of Turkish atrocities. After the wide
sympathy that followed his Bulgarian Atrocities campaign there came a
strong reaction. It was maintained that the Bulgarians were by no means
the blameless victims of the Turks; and could themselves initiate
massacres as well as suffer from them. Some even charged that there was
a good deal of party spirit to account for the heat of Mr. Gladstone's
championship. I think that the average British opinion in 1912 was that,
regarding the quarrels between Bulgar and Turk, there was a great deal
to be said against both sides; and that no Balkan people was worth a
moment's sentimental worry. "Let dogs delight to bark and bite, for 'tis
their nature to," expressed the common view when one heard that there
had been murders and village-burnings again in the Balkans.
Public-domain text, read in full here on John Shaqi.
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