Bulldog And Butterfly: From "Schwartz" by David Christie MurrayMurray, David Christie
General
Bulldog And Butterfly: From "Schwartz" by David Christie Murray
Murray, David Christie
Fiction
Produced by David Widger
BULLDOG AND BUTTERFLY
By David Christie Murray
Author Of ‘Aunt Rachel,’ ‘The Weaker Vessel,’ Etc.
I
Castle Barfield, Heydon Hey, and Beacon Hargate form the three points
of a triangle. Barfield is a parish of some pretensions; Heydon Hey is a
village; Beacon Hargate is no more than a hamlet. There is not much that
is picturesque in Beacon Hargate, or its neighbourhood. The Beacon Hill
itself is as little like a hill as it well can be, and acquires what
prominence it has by virtue of the extreme flatness of the surrounding
country. A tuft of Scotch firs upon its crest is visible from a distance
of twenty miles in some directions. A clear but sluggish stream winds
among its sedges and water-lilies round the western side of the Beacon
Hill, and washes the edge of a garden which belongs to the one survival
of the picturesque old times Beacon Hargate has to show.
The Oak House was built for a mansion in the days of Queen Elizabeth,
but who built it nobody knows at this time of day, or, excepting perhaps
a hungry-minded antiquary or two, greatly cares to know. The place
had been partly pulled down, and a good deal altered here and there.
Stables, barns, cow-sheds, and such other outhouses as are needful to
a farm had been tacked on to it, or built near it; and all these
appurtenances, under the mellowing hand of time and weather, had grown
congruous, insomuch that the Oak House if stripped of them would have
looked as bare even to the unaccustomed eye as a bird plucked of its
feathers.
The house faced the stream, and turned its back upon the Beacon with
its clump of fir-trees. It had chimneys enough for a village--an
extraordinary wealth of chimneys--‘twisted, fluted, castellated, stacked
together in conclave or poised singly about the gables. The front of
the house was crossed laterally and diagonally by great beams of
black-painted oak. The windows, which are full of diamonded panes, were
lowbrowed, deep-sunken, long, and shallow. The door had a porch, and
this porch was covered with creepers. In summer time climbing roses and
honeysuckle bloomed there. The garden ran right up to the house, and
touched it all round. The fragrant sweet-william, nestling against the
walls, looked as though it were a natural fringe. Without the faintest
sense of primness, or even of orderliness, everything had an air of
being precisely where it ought to be, and conveyed somehow a suggestion
of having been there always. The house looked less as if it had been
built than as if it had grown, and this feeling was heightened by the
vegetable growth about it and upon it--the clinging ivy, the green
house-leek, the purple and golden moss on the roofs and walls. In the
course of its three hundred years the Oak House had stood long enough to
be altogether reconciled to nature, and half absorbed by it.
Public-domain text, read in full here on John Shaqi.
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