However (says Mariette), we must not imagine that the deciphering of
hieroglyphs by means of the Rosetta Stone was accomplished at the first
trial, and without groping in the dark. On the contrary, the savants
tried for twenty years without much success. At last Champollion
appeared. Prior to him people thought each of the letters that compose
hieroglyphic writing was a _symbol_; that is, that in every single
one of these letters a complete _idea_ was expressed. The merit of
Champollion consisted in proving that Egyptian writing contains signs
which express _sounds_; in other words, that it is _alphabetic_. He
noticed that wherever in the Greek text the proper name _Ptolemy_ is
met with, there may be found, at a corresponding place of the Egyptian
text, a certain number of signs enclosed within an elliptic ring.
From this he concluded (1) that the names of kings were indicated,
in the hieroglyphic system, in a sort of escutcheon, which he styled
a _cartouche_; (2) that the signs contained in the cartouche must be
letter for letter the name of Ptolemy (Ptolemaios).
Even supposing the vowels omitted, Champollion was already in
possession of five letters--P.T.L.M.S. Again, Champollion knew,
according to a second Greek inscription, engraved on an obelisk of
Philae, that on this obelisk a hieroglyphic cartouche is visible which
must be that of Cleopatra. If his first reading was correct, the P,
the L, and the T of Ptolemy must be found again in the second proper
name; while, at the same time, this second proper name would furnish K
and R. Although very imperfect as yet, the alphabet thus revealed to
Champollion, when applied to other cartouches, put him in possession of
nearly all the other consonants.
Thenceforth he had no need to hesitate concerning the _pronunciation_
of signs; for, from the day this proof was furnished, he could certify
that he possessed the Egyptian alphabet. But now remained the language;
for pronouncing words is nothing, if we know not what they mean. Here
Champollion’s genius could soar. He perceived that his alphabet,
drawn from proper names and applied to words of the language, simply
furnished _Coptic_. Now Coptic, in its turn, is a language which,
without being so well explored as Greek, had for a long time been
not less accessible. (It was a spoken language until the sixteenth
century, and three spoken dialects remained, sufficiently resembling
the old Egyptian to enable all the grammatical forms and structure to
be examined.) Therefore the veil was completely removed. The Egyptian
language was only Coptic written in hieroglyphs; or, to speak more
correctly, Coptic is only the language of the ancient Pharaohs,
written in Greek letters. The rest may be inferred. From sign to sign
Champollion really proceeded from the known to the unknown, and soon
the illustrious father of Egyptology could lay the foundations of this
beautiful science, which has for its object the interpretation of the
hieroglyphs.
Public-domain text, read in full here on John Shaqi.
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