Hebrew literature -- History and criticism; Jewish literature -- History and criticism; Jews in literature
Another aspect of the book which makes it so valuable for the history
of culture among the Jews is the number of languages which Nathan uses.
What an array it is! Kohut enumerates (besides Hebrew and Aramaic)
Latin, Greek, Arabic, Slavonic dialects, Persian, and Italian and
allied speeches. Nathan cannot have known all these languages well.
He certainly had little Latin and less Greek, but he repeated what
he had heard from others or read in their books. It is remarkable,
indeed, how well the sense of Greek words was transmitted by Jewish
writers who were ignorant of Greek. They often are not even aware that
the words are Greek at all; they suggest the most impossible Semitic
_derivations_; but they very rarely give the meanings incorrectly. This
applies less to the Italian than to the German Jewish scholars. I mean
that the former had, on the whole, a more intimate acquaintance with
the classical idioms. In the case of Nathan’s _Aruk_ the languages
cited do imply a wide and varied culture. Most interesting is Nathan’s
free use of Italian. Just as we learn from the glosses in Rashi’s
commentaries that the Jews of northern France spoke French, so we
gather from Nathan’s dictionary that the Jews of Rome must have used
Italian as the medium of ordinary intercourse.
Nathan’s _Aruk_, while, as we have seen, it was a link between the past
and his present, was also part of the chain binding his present to the
future. Nathan records the tradition as he received it, but he also
points forward. Take one of his remarks, which is quoted by Güdemann.
There is much in the Talmud on the subject of magic, and Nathan duly
explains the terms employed. But he says: “All these statements about
magic and amulets, I know neither their meaning nor their origin.”
Does the reader appreciate the extraordinary significance of the
statement? Nathan, the bearer of tradition, yet sees that the newer
order of things also has its claims. Tradition does not consist in
the denial of science. And so, though a Gaon like Hai had a pretty
considerable belief in demonology, Nathan cautiously expresses his
scepticism. Even more emphatically, a little later, Ibn Ezra frankly
asserted that he had no belief in demons. It may be questioned whether
this enfranchisement from demonological conceptions could be matched
in non-Jewish thought of so early a date. The _Aruk_ assuredly points
forwards as well as backwards.
And all this we derive from a dictionary! The _Aruk_ obviously belongs
to culture as well as to philology--if the two things really can be
separated. The study of words is often the study of civilization. Max
Müller maintained that if you could only tell the real history of words
you would thereby be telling the real history of men. He carried the
idea absurdly far; but Nathan’s _Aruk_ is a striking instance of at
least the partial truth of the great Sanskrit scholar’s contention.
THE SORROWS OF TATNU
Public-domain text, read in full here on John Shaqi.
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