Hebrew literature -- History and criticism; Jewish literature -- History and criticism; Jews in literature
What was the original of this story? Nothing in the romance of its
incidents, or in the marvel of the spread of it and its maxims and its
incorporated fables throughout the folk-lore of humanity, exceeds
the dramatic fact that a large fragment of the tale, in Aramaic, has
been found in Egypt among other Jewish papyri of the fifth century
before the Christian era! The discovery proves many things, among them
two being most significant. First, the Ahikar story is far older than
people used to think, and thus the theory that the story of Ahikar was
invented to _explain_ the reference in Tobit is once for all disproved.
Second, it is at least tenable that the original language was Aramaic
and the story Jewish. Here, at all events, we have unquestionable
evidence that there must have been among the Jews, nearly 2,400 years
ago, an impulse towards that species of popular tale which so deeply
affected the literature and poetry of the world. Ahikar, it has even
been suggested, is the ultimate source of at least one of the New
Testament parables. But, more generally, now that we know that the
story of Ahikar was at so early a date current among Jews, we shall be
more plausibly able to justify the belief, long ago held by some, that
Aesop and other similar collections of fables do truly come from Jewish
originals. At any rate, ancient Jewish parallels must have been in
circulation.
So much for the main results of the discovery. Small details of
interest abound. Tobit bade his son: “Pour out thy bread and thy wine
on the graves of the righteous (4. 17).” All sorts of changes have
been suggested in the text. But the saying is found in the versions
of Ahikar, and may be accepted as genuine. It is not necessarily a
pagan rite; it has analogy with the funeral meal which long prevailed
(and still prevails) as a Jewish custom. Even more interesting seems
another detail (of the Syriac Version), which the writers on the books
of Ahikar and Tobit have overlooked. When Tobit’s son starts on his
quest, his dog goes with him. This is a remarkable touch. Nowhere else
in ancient Jewish literature does the dog appear as man’s companion.
Nowhere else? Yes, in one other place--in the story of Ahikar. “My
son,” says the vizier to Nadan, “strike with stones the dog that has
left his own master and followed after thee.” Here we see the dog
regarded as a comrade, to be forcibly discouraged if he show signs
of infidelity. There must have been a period, therefore, when the
olden Jews considered the dog in a light quite other than that which
afterwards became usual.
PHILO ON THE “CONTEMPLATIVE LIFE”
Public-domain text, read in full here on John Shaqi.
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