The germ of the conception of the cave-scenes, so beautifully described in the poem, will also be found here; the fondness of Juan for his favourite dog, the voracity with which he devoured the long-withheld food, and many other incidents, were suggested by this Narrative.[1] [FOOTNOTE 1: Captain Inglefield's account of the loss of the Centaur, (in September, 1782), furnished Byron with many of those trivial incidents, which, as the poet well knew, render a story, to use Gibbon's words, "circumstancial and animated," instead of "vague and languid;" the "eternal difference between fiction and truth." The behaviour of the sailors before the sinking of the ship; some lashing themselves in their hammocks, some putting on their best clothes; the sail made of blankets; the ragged piece of sheet with which they caught the rain-water; the words used by the man who first saw the land, &c. &c., are all faithfully copied or slightly altered from Inglefield.] To those who would study the character of Lord Byron; discover what qualities of his nature were derived from his ancestors, and what were peculiarly his own; who would trace the effect produced on his writings by early tastes, habits, and associations, the narrative will afford ample material for observation. Mr. Moore,--who, in paying to genius that tribute which genius alone can fully pay, has shewn how thoroughly he understood the character of the poet (a character, perhaps, after all to be _felt_ rather than _explained_), how well he appreciated his virtues and the peculiar circumstances attendant on genius, which palliate, if they do not excuse, his foibles,--remarks, that Lord Byron "strikingly combined, in his own nature, some of the best and perhaps worst qualities that lie scattered through the various characters of his predecessors; the generosity, the love of enterprise, the high-mindedness of some of the better spirits of his race, with the irregular passions, the eccentricity, and daring recklessness of the world's opinion, that so much characterised others." In the character then of the most famous of those "better spirits," as exemplified in his own narrative of his sufferings and adventures, we may discern the source of many of the amiable qualities which descended to and adorned the immortal poet. We shall observe in both the same frankness, generosity, affability, love of excitement, the same mildness, and unassuming modesty. But the contrasts of their characters we shall find even more striking than the resemblances. We shall see in the sailor the ease and contentedness of spirit arising from its agreement with the sphere it moves in--the soul harmonizing with the situation--the man with the circumstances--the Supply equivalent to the Demand. We shall see in the poet the "high instincts of a creature moving about in worlds not realized"--the large expectancies, the high anticipations, unfulfilled and unanswered; the discontent, the jarring of a being not