Cabinet Portrait Gallery of British Worthies. Volume IAnonymous
History
Cabinet Portrait Gallery of British Worthies. Volume I
Anonymous
Great Britain -- Biography
He has been drawn at full length, and with much elaboration, by the
famous letter-writer of the twelfth century, Peter of Blois (so styled
from the place of his birth), who appears to have come over to England
about 1169 or 1170, and was afterwards for many years in habits of daily
and intimate intercourse with the king as his private secretary. The
account occurs in a letter from Peter to his friend Walter, Archbishop
of Palermo, who had requested from him a complete and exact picture of
the great English king, both in his outer and inner man, a theme which
his correspondent declares would, in his opinion, overtask the powers of
the Mantuan (that is, Virgil) himself, or, as he afterwards still more
strongly puts it, would be too much for either Maro or Tully. So far,
however, he adds, as the subject is within his capacity, he will speak
without envy or detraction. The letter has no date, but appears to have
been written about the year 1180. He begins by remarking that, as it is
related to the commendation of David that he was ruddy, so it might
still be seen that King Henry had in earlier life been in a moderate
degree of that complexion, although his colour was now somewhat gone,
and his hair also touched with grey, from his advanced years.[3] His
head was compact and round-shaped--"spherical" is the rhetorical
secretary's term--of fitting form and dimensions, according to the
craniological philosophy of that day, "to be the seat of great wisdom,
and the special sanctuary of deep counsel." Yet its size was perfectly
proportioned to that of the sustaining neck and the general frame. The
eyes also were round, and of soft expression--"dove-like and simple, or
single" (in the Scriptural sense), are the terms employed--while he was
unexcited; but under the emotion of anger or any other disturbing
passion they flashed fire, and, as it were, lightened. His hair as yet
showed no signs of becoming bald, but he prevented it from growing long
by clipping. The general form of the face was quadrangular, like that of
a lion. His nose was handsome and of suitable size, his chest broad, his
arms muscular, his legs of the proper shape for a good rider,[4] his
instep arched and high. Some deformity, however, had been produced in
one of his feet by the nail of a toe having grown into the flesh; and
his hands also, upon which he never wore a glove, except when he carried
a falcon, gave token of his neglect of them by a certain clumsiness or
grossness of appearance. He discarded all ornament alike in boots and
bonnet, and all his clothes were disencumbered of everything
superfluous.[5] A characteristic of his mother's race that he inherited
was a strong tendency to corpulency; but he appears to have succeeded in
keeping it down much more than his great-grandfather, the Conqueror,
both by frequent fastings and by a life of movement and activity almost
without example. His habit was scarcely ever to sit down, except while
he was upon horseback or at his meals.
Public-domain text, read in full here on John Shaqi.
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