The heads of the Sierra Madre are rounded, the contours of great
dignity. The appeal it makes to the eye is of mass and line. Its
charms, and it has many, of forested slope, leaping waters, and lilied
meadows, do not offer themselves to the casual glance, but must be
sought after with great pains. The bulk of the range is of warm,
grey granite, clothed with atmospheric colour as with a garment. It
borrows more from the sky than the sea, taking on at times an aerial
transparency, the soul of the mountain about to pass trembling into
light. Pinkish tones are discoverable in even the bluest shadows,
and at times the peaks are touched with the rich, roseate orange of
the Alpine-glow. But the variations of temperature and atmospheric
conditions are not sufficiently pronounced to present themselves to
the sense as the source of its aspects of tenderness, of majesty,
of virginal aloofness. Rather such changes seem to be occasioned by
palpitations of the Mountain Spirit, remote in sacred meditation,
glowing, dimming, defining itself from within.
It may be that the immense vitality of the land, its abundance, the
bursting orchards, the rich variety of native growth, somehow dwarfs
the earliest impression of the Sierra Madre, since few, if any, gather
at first an adequate idea of the actual mass and height it represents.
It is only after appreciation of the really amazing activities of the
Angelenos is a little dulled by familiarity, at early morning when
the groves are sleeping and the bright plantations of the gardens lack
the sun to flash their brilliance on the sight, or at evening when a
sea mist covers the teeming land, one is prepared to hear that many of
these peaks are higher than the Simplon, and that it would be possible
to wander for months in the intricacies of its cañons without having
time to grow familiar with a single one of them.
Public-domain text, read in full here on John Shaqi.
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