Many buildings of importance, all designed in good taste, grew up in Cambridge during this century. The library of Samuel Pepys, including the manuscript of his celebrated _Diary_, was left to his old College of Magdalene in 1703, and reached Cambridge in 1725, when it was placed in what are now called the Fellows' buildings, a range built to do honour to the bequest. To the University Library, enriched by King George I's present of Bishop Moore's collection, was added a new wing designed in the Classical style. The Senate House as we now see it is an eighteenth-century building, and a fine example of its period. At King's College the Fellows' building by Gibbs is another notable addition to the architecture of the place, and the alterations at Clare, Trinity Hall, and Emmanuel are all good of their kind. The beauty of Cambridge does not consist in broad streets or in imposing public buildings. The greater Colleges lie with their gatehouses towards the town, their courts and lawns stretching towards the river, which is spanned by their private bridges. Beyond the river the eye is charmed with a vista of tall trees and flowery gardens. In every College there lurk particular treasures. Corpus Christi, with its old Court abutting on the Saxon Church of St. Benet, where in bygone days the scholars were wont to worship, can show the hall in which Kit Marlowe dined and Parker presided. This College has one of the most interesting libraries in the University, and one of the best collections of plate in the country. Jesus College has an unique chapel. Norman and Early English masonry, fine old stalls, and a mediæval organ may here be seen, and, for those who care for such things, there are windows by Morris and Burne-Jones. Examples of Wren's work in Cambridge have already been noticed. The bridge built from his designs at St. John's is illustrated in the present volume. No one should miss all there is to see in this stately College. The Combination Room is a typical Tudor gallery; and on Feast Nights, when illuminated with wax candles in silver sconces, it presents a picture unforgetably beautiful. Trinity and St. John's are the only Colleges possessed of statuary. In the anti-chapel of the former College the statues of Newton, Bacon, Barrow, Macaulay, Whewell, and Tennyson form a striking group. That of Newton is by Roubiliac, and some busts by this admirable master may be seen in the College library, where too is the celebrated statue of Byron by Thorwaldsen, and numerous enrichments of the bookcases by the hand of Grinling Gibbons. This library, which is one of the principal Collegiate libraries in Europe, has over 100,000 volumes. Among its manuscripts are the celebrated Canterbury Psalter, a volume of Milton manuscripts (including the first sketch of _Paradise Lost_), the manuscript of Tennyson's _In Memoriam_, that of Thackeray's _Esmond_, and several Byron manuscripts. The library of St.