There are a thousand things to notice other than the windows. I have mentioned the roof. To understand its construction it is necessary to pay a visit to the space between the roofs, where the whole skeleton of the vaulting is to be seen and its wonderful engineering appreciated. The woodwork of the chapel is good, especially the screen, a very fine and graceful example of that Italian style which filtered into England through the court of Francis I. It bears the love-knot and twisted initials of Henry VIII. and Anne Boleyn. The organ-case upon it belongs to 1606; the organ itself was built eighty years later by Renatus Harris, but has been almost entirely renewed since. The canopies of the choir-stalls are only a little older than the organ, and look best at a distance. Then there is the stone-carving in the antechapel, where the great coats-of-arms and supporters, the rose and portcullis of Henry VII. are repeated over and over again. Lastly, in the series of chantries there are one or two interesting brasses. Provost Hacombleyn’s chantry, on the south side, commemorates the provost who gave the beautiful lectern. He died in 1528, and is buried here. The window contains some good old glass; a portrait of Henry VI. and two pictures of Our Lady and St Nicholas of Myra, who are the patrons of the chapel. In the centre of the chantry is the altar tomb of Lord Blandford, only son of the great Duke of Marlborough. He died here in 1703. For two hundred years after the completion of the chapel, the old northern court sufficed. To the south of the chapel was the Provost’s Lodge, which stood against the last bay, and, with other college buildings, bordered the western side of King’s Parade. In 1724 James Gibbs began the present buildings with his beautiful classical pile, which runs at right angles to the chapel from near its south-west corner. Fellows’ Building is in Gibbs’ best manner. It is an extremely plain building, with a rusticated basement and a great central opening, which runs through the first two stories and cuts into the third. This may be thought an unnecessary intrusion, but Gibbs had dispensed with an order throughout the building, and some relief was imperative. At any rate, the chief defect of this part of King’s is its hideous chimney-stacks, which are only too visible from the street.