In the lodge there are numerous portraits of former masters of the College, and obviously this is the proper place for such a collection. It is not complete, twelve past masters being unrepresented, but portraits of two of these (namely Wilkins and Pearson) hang in the hall. The most notable picture in this series is that of Nevile, which is properly given the place of honour over the mantelpiece in the dining room which he built. He holds a paper in his right hand, and I like to think that this is intended to suggest the letter which Elizabeth on her death-bed entrusted to him to take to Scotland, informing James VI of that kingdom that she designated him as her successor. In this room too are portraits of Porson and Thompson with whose memories so many excellent academic stories are associated, but I must not linger over these. In the drawing room the most striking portraits are those of queen Elizabeth by Mark Gerrard, the duke of Gloucester (1776-1834) in his undergraduate robes by George Romney, and queen Mary probably by Hans Eworth. The painted panels in the entrance hall often escape attention, but are worth looking at, especially in the case of the portraits of Edward III, Henry VII, Elizabeth of York, Mary of Scotland, Edward VI, and queen Mary. The collection of portraits, formed by Dr Butler, of Trinity men who have held judicial appointments is also interesting, but is not generally accessible to visitors. The pictures in the lecture-rooms and on the walls of the staircase leading to them form a sort of overflow collection, and though of unequal merit, a few are worth attention. There are also some pictures of merit in the library among which I note in particular portraits of Tennyson and Lightfoot. The engravings of former members of the College placed in the small combination room will repay study. There are at present between one hundred and fifty and two hundred here, but there are many more in portfolios in the library. Several of these have been acquired in recent years through the generosity and knowledge of John Charrington.