Campanalogia : $b or The art of ringing improved : with plain and easie rules to guide the practitioner in the ringing all kinds of changes, to which is added, great variety of new peals.Stedman, Fabian
Science
Campanalogia : $b or The art of ringing improved : with plain and easie rules to guide the practitioner in the ringing all kinds of changes, to which is added, great variety of new peals.
Stedman, Fabian
Bells; Change ringing
strike at the fore-stroke, they may be checkt down so low as to cease
their striking at the back-stroke, yet their striking round at the
fore-stroke may be continued, until they are brought into a chime, which
is a graceful conclusion of a peal.
In raising of a peal of bells, all the notes ought to strike round at
one pull: but mistake me not, I do not mean at the first pull; for at
small bells ’tis usual to sway them all round at the first pull without
striking; at the second pull to strike them at the fore-stroke, and at
the third pull at back-stroke. In raising of a peal of more weighty
bells, ’tis usual to strike them double at the fourth pull, because the
extraordinary weight and large compass of the hind-bells permits it not
to be done sooner. In the first raising of a peal of bells, one bell
ought not to strike before the rest, or to miss striking when the rest
go round: neither ought any bell in ceasing to strike after the rest, or
to leave striking before the rest; all which, according to the
strictness of true ringing, are accounted great faults.
The peal of bells on which the changes are to be rung, must first be
raised up to a Sett-pull, which compass is most proper for the ringing
of changes; for then the notes of the bells may be had at command.
Therefore before the young Practitioner can be capable of ringing
changes, he must be extraordinary well skill’d in the managing of a bell
at a Sett-pull, which is absolutely requisite, for this reason: In the
ringing of changes, his mind will be so busied and wholly taken up with
the consideration of the course and method of them, and his eye
continually wandring about to direct his pull in the following of the
other bells; that unless he has extraordinary skill in the managing of
his own bell, and can set it in a manner hood-winkt, he will be apt
either to drop or overturn it; or else on the other hand, for want of
skill, his eye and mind will be so fixed on his own rope and bell to
guide the managing of it, that he cannot at the same time mind the
course of the changes, and then no wonder if he is in a wood, which
consequently follows; and indeed hence partly ’tis, that the Learners in
their first practice do oftentimes toil and moil themselves to so little
purpose. Therefore ’tis not enough that the young Practitioner can set a
bell it may be half a score times together, when ’tis an even wager that
he either drops or overturns it in those ten-pulls: but he must be so
perfectly skill’d, as that he might adventure to lay ten to one, that he
can set it thirty or forty times together, both fore-stroke and
back-stroke, without dropping or overturning it, and without looking
directly either on his hands or rope whilst he sets it. Therefore in his
practice of setting a bell, he may cast his eye about on the other
bell-ropes whilst he manageth his bell, whereby he may accustom himself
to manage it as the ringing of changes requires.
Public-domain text, read in full here on John Shaqi.
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