Campanalogia : $b or The art of ringing improved : with plain and easie rules to guide the practitioner in the ringing all kinds of changes, to which is added, great variety of new peals.Stedman, Fabian
Science
Campanalogia : $b or The art of ringing improved : with plain and easie rules to guide the practitioner in the ringing all kinds of changes, to which is added, great variety of new peals.
Stedman, Fabian
Bells; Change ringing
_Observ. 3._ The next thing to be understood by the Learner, is the
precedency of the notes. Now whereas in the ringing of changes, the
notes do all strike after one another at the fore-stroke, and again at
the back-stroke, therefore are they said to lie before or behind each
other, according to their places of striking. As if five men were
standing in a row, as these five figures represent, 1 2 3 4 5, the first
man to stand at the fig. 1, the second man at the figure 2, _&c._ and
that they stand with their faces all one way, that is, the first man
ready to lead, and the rest to follow him one behind another. Now the
first man stands before the rest, and the fifth man behind the rest; the
second man stands behind the first man, but before the third; the third
man stands behind the second, but before the fourth; and the fourth
stands behind the third, but before the fifth. In which manner the notes
being supposed to strike in the like row, may also be laid to lie before
or behind each other as the men did. For whatsoever note leads either at
fore-stroke or back-stroke, is said to lie before the rest; and that
which strikes last, to strike behind the rest. The note which lieth in
the second place, as on the one hand it lieth behind the leading note,
so on the other hand it lieth before the note in the third place. As the
note in the third place lieth behind the note in the second place, so it
lieth before the note in the fourth place. And in like manner, every
note is said to lie behind those that strike before it, and before those
that strike after it.
Public-domain text, read in full here on John Shaqi.
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