Canada To-day and To-morrowCopping, Arthur E. (Arthur Edward)
History
Canada To-day and To-morrow
Copping, Arthur E. (Arthur Edward)
Canada
The screens are discriminating. The bulk of the fibre passes through a
one-hundredth-of-an-inch aperture, and is good for paper. Then the
residue runs on a screen having apertures of about a sixtieth of an
inch; and while that which penetrates the interstices is available for
fine cardboard, that which remains above is suitable for coarse
cardboard. Now the several streams of porridge are pumped upstairs to
wet-presses that contain revolving cylinders. You next see the stuff
clinging to a hurrying felt band that transfers it to wooden rollers.
When several thicknesses have wound round a roller, they are cut with a
pointed stick, removed, and folded; and there you have your mechanical
ground pulp, which is nothing but washed wood fibre loosely matted by
water. That mechanical ground pulp constitutes about three-fourths, in
bulk, of paper used by the daily and weekly Press. I was conducted to
the range of buildings where J. R. Booth makes the constituent which,
with certain small accessories, completes the substance of our
news-sheets. Again logs are the raw material. But this time they are not
ground. They are first despoiled of their bark by one piece of
mechanism; then by another piece of mechanism they are cut into chips.
It seems ungracious to criticise a machine; but I observed that the
“chipper” is apt to be a little remiss. Some of the chips it turns out
are rather larger than J. R. Booth requires them to be. So all are
subjected to a screening test, those of excessive size being dealt with
in an auxiliary apparatus called a “re-chipper.” The little nuggets of
wood are now sent upstairs in a carrier, and shot into big bins, each of
which holds nearly two hundred tons. Thence they pass through funnels
into great steel digesters, in which they are packed down close with
long iron rods. The digesters have an acid-proof lining of bricks and
cement; and, to be informed of the reason for this, I was taken
downstairs again. We visited a part of the premises which, by reason of
certain fumes, suggested “Paradise Lost.” I am not a chemist, and I
cannot describe what the agents of J. R. Booth were doing with their
immense supplies of lime and sulphur. It must suffice to say that they
produced sulphurous acid and a horrid smell.
The former is conveyed to the upper story, and pumped into the
digesters, previously packed with chips. “Digester” is the technical and
literal description, for the acid-saturated wood is now cooked with
steam for ten or twelve hours, at the end of which time it is reduced to
white fluff. After being washed in cold water it is called sulphite, and
is ready to be mixed with mechanical ground pulp to form paper, small
quantities of china clay, size, soda-ash, resin, and blue and red earth
being added as a kind of seasoning.
Public-domain text, read in full here on John Shaqi.
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