Such, at least, is J. R. Booth’s recipe; for I found that, by a recent addition to his manifold activities, he now makes paper. They took me through the mill, a long building containing several machines stretched out in a perspective of great cylinders, suggesting the segments of a huge iron caterpillar. It seemed that the mixture of pulp, sulphite, and accessories has to pass through a refining engine on its way from one receptacle to another. Afterwards I saw it pouring like gruel on to each caterpillar’s tail. Under a shower-bath of water sprays—necessary for breaking bubbles—the liquid paper ran on to rotating screens, and was received on moving belts of wire gauze. The endless web of grey liquid soon became a web of white substance. My companion bade me note the “suction box.” This was a gap in a metal cylinder, and as the material ran over that gap it was sucked inward, with consequent loss of moisture. Now watch its gliding, serpentine course over thirty cylinders, heated by steam, until, finally—as dry, warm, immaculate paper—it is wound into rolls of from four to five miles. Its journey has been to and fro, back and turn, for the cylinders are ranged in double and treble tiers; yet but a minute or so elapses between the fluid state and the finished stage, each caterpillar reeling off paper at the pace of 525 feet per minute. I have forgotten how many tons of J. R. Booth’s paper are now absorbed by England, what quantity goes to the States, and the proportion consumed in Canada; but I remember that thirty-nine rolls make a car-load, and that those destined for an ocean voyage are furnished with an extra wrapper and have their edges protected by burlap hessian. To be talking with the Lumber King is to find yourself in the presence of a man unlike anyone you have ever met before, the reason being that J. R. Booth is content to be J. R. Booth. As a matter of fact, everybody is unlike everybody else; but the average mortal disguises his personality with conventionalities of manner, so that only after a while, and from chance clues, do you “get to know him.” J. R. Booth is natural and genuine even at a first acquaintance; in this respect, as in others, being a conspicuous example of a national virtue. For, whereas the island-bred Briton loves to present a surface of polished veneer, the Canadian is satisfied to be solid oak. To have briskly opened the door, to have entered the office graciously smiling, to have uttered a few formal words of welcome—that is how it would have been with most people. That is not how it was with J. R. Booth. Sitting sideways at the corner of the table, I did not know he had arrived until, on turning, I found him, with head thoughtfully bent, quietly seated at right angles to me. A bearing so devoid of pretence wins instant confidence and respect, if at first it be a little disconcerting.