African Americans -- Fiction; Southern States -- Fiction
People come in slowly ... “—for my Sunday-go-to-meeting dress. O glory
God! O shout Amen!” ... and fill vacant seats of Lincoln Theater. Each
one is a bolt that shoots into a slot, and is locked there. Suppose
the Lord should ask, where was Moses when the light went out? Suppose
Gabriel should blow his trumpet! The seats are slots. The seats are
bolted houses. The mass grows denser. Its weight at first is impalpable
upon the box. Then Muriel begins to feel it. She props her arm against
the brass box-rail, to ward it off. Silly. These people are friends of
hers: a parent of a child she teaches, an old school friend. She smiles
at them. They return her courtesy, and she is free to chat with Berny.
Berny’s tongue, started, runs on, and on. O washer-blue! O washer-lady!
Muriel: Never see Dan again. He makes me feel queer. Starts things he
doesnt finish. Upsets me. I am not upset. I am perfectly calm. I am
going to enjoy the show. Good show. I’ve had some show! This damn tame
thing. O Dan. Wont see Dan again. Not alone. Have Mrs. Pribby come in.
She _was_ in. Keep Dan out. If I love him, can I keep him out? Well
then, I dont love him. Now he’s out. Who is that coming in? Blind as a
bat. Ding-bat. Looks like Dan. He mustnt see me. Silly. He cant reach
me. He wont dare come in here. He’d put his head down like a goring
bull and charge me. He’d trample them. He’d gore. He’d rape! Berny! He
won’t dare come in here.
“Berny, who was that who just came in? I havent my glasses.”
“A friend of yours, a _good_ friend so I hear. Mr. Daniel Moore, Lord.”
“Oh. He’s no friend of mine.”
“No? I hear he is.”
“Well, he isnt.”
Dan is ushered down the aisle. He has to squeeze past the knees of
seated people to reach his own seat. He treads on a man’s corns. The
man grumbles, and shoves him off. He shrivels close beside a portly
Negress whose huge rolls of flesh meet about the bones of seat-arms.
A soil-soaked fragrance comes from her. Through the cement floor
her strong roots sink down. They spread under the asphalt streets.
Dreaming, the streets roll over on their bellies, and suck their glossy
health from them. Her strong roots sink down and spread under the river
and disappear in blood-lines that waver south. Her roots shoot down.
Dan’s hands follow them. Roots throb. Dan’s heart beats violently. He
places his palms upon the earth to cool them. Earth throbs. Dan’s heart
beats violently. He sees all the people in the house rush to the walls
to listen to the rumble. A new-world Christ is coming up. Dan comes up.
He is startled. The eyes of the woman dont belong to her. They look at
him unpleasantly. From either aisle, bolted masses press in. He doesnt
fit. The mass grows agitant. For an instant, Dan’s and Muriel’s eyes
meet. His weight there slides the weight on her. She braces an arm
against the brass rail, and turns her head away.
Public-domain text, read in full here on John Shaqi.
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