African Americans -- Fiction; Southern States -- Fiction
Muriel: Damn fool; dear Dan, what did you want to follow me here for?
Oh cant you ever do anything right? Must you always pain me, and
make me hate you? I do hate you. I wish some one would come in with a
horse-whip and lash you out. I wish some one would drag you up a back
alley and brain you with the whip-butt.
Muriel glances at her wrist-watch.
“Quarter of nine. Berny, what time have you?”
“Eight-forty. Time to begin. Oh, look Muriel, that woman with the
plume; doesnt she look good! They say she’s going with, oh, whats his
name. You know. Too much powder. I can see it from here. Here’s the
orchestra now. O fine! Jim Clem at the piano!”
The men fill the pit. Instruments run the scale and tune. The saxophone
moans and throws a fit. Jim Clem, poised over the piano, is ready to
begin. His head nods forward. Opening crash. The house snaps dark. The
curtain recedes upward from the blush of the footlights. Jazz overture
is over. The first act is on.
Dan: Old stuff. Muriel—bored. Must be. But she’ll smile and she’ll
clap. Do what youre bid, you she-slave. Look at her. Sweet, tame woman
in a brass box seat. Clap, smile, fawn, clap. Do what youre bid. Drag
me in with you. Dirty me. Prop me in your brass box seat. I’m there, am
I not? because of you. He-slave. Slave of a woman who is a slave. I’m a
damned sight worse than you are. I sing your praises, Beauty! I exalt
thee, O Muriel! A slave, thou art greater than all Freedom because I
love thee.
Dan fidgets, and disturbs his neighbors. His neighbors glare at him.
He glares back without seeing them. The man whose corns have been trod
upon speaks to him.
“Keep quiet, cant you, mister. Other people have paid their money
besides yourself to see the show.”
The man’s face is a blur about two sullen liquid things that are his
eyes. The eyes dissolve in the surrounding vagueness. Dan suddenly
feels that the man is an enemy whom he has long been looking for.
Dan bristles. Glares furiously at the man.
“All right. All right then. Look at the show. I’m not stopping you.”
“Shhh,” from some one in the rear.
Dan turns around.
“Its that man there who started everything. I didnt say a thing to him
until he tried to start something. What have I got to do with whether
he has paid his money or not? Thats the manager’s business. Do I look
like the manager?”
“Shhhh. Youre right. Shhhh.”
“Dont tell me to shhh. Tell him. That man there. He started everything.
If what he wanted was to start a fight, why didnt he say so?”
The man leans forward.
“Better be quiet, sonny. I aint said a thing about fight, yet.”
“Its a good thing you havent.”
“Shhhh.”
Public-domain text, read in full here on John Shaqi.
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