English fiction -- 20th century; London (England) -- Fiction; Theater -- Fiction; Young women -- Fiction
“Through an old banker-friend of mine—Sir Oliver Dawtry. Down Hatton
Garden way and throughout the City he has enormous interests. And I
should say _he_ could place your pearls—if anyone could!”
“Do you think he’d be bothered?”
“That I’ll undertake.”
“Does he live in town?”
“In a sense: he has a large house in the Poultry.”
“Of course I should be willing to show him my pearls.”
“Sir Oliver is offering me a little dinner to-night. And I should be
happy for you to join us.”
“Oh?... I think I scarcely dare!”
“Rubbish. One must be bolder than that if one means to get on!”
“Tell me where you dine.”
“At Angrezini’s. It’s a little restaurant ... with a nigger band. And
you sing between the courses.”
“Will Mr. Sixsmith be there?”
“My dear, Mr. Sixsmith and I don’t live together any more.”
“Forgive me.”
“That’s all right....”
Miss Sinquier’s eyes grew dim.
“Used he to act?” she asked.
“_Act!_”
“I seem to have heard of him.”
Mrs. Sixsmith looked away.
“Are you coming, Serephine?” her neighbour asked.
“Are you all off?”
The florid man nodded impressively.
“Yes ... we’re going now....” he said.
“What are Whipsina’s plans?”
Miss Peters leaned closely forward over several pairs of knees.
“I shall stay where I am,” she murmured, “and perhaps take a nap.
There’s sure to be a tremendous exodus directly.”
Miss Sinquier rose. “I’ve some shopping,” she said, “to do.”
“Until this evening, then.”
“At what o’clock?”
“At 8.”
“On arrival, am I to ask for you?”
“Better ask for Sir Oliver—one never knows.... And I might perhaps
happen to be late.”
“But you won’t be? You mustn’t....”
“I will explain whatever’s needful by telephone to Sir Oliver now. And
during dinner,” Mrs. Sixsmith bubbled, “while the old gentleman picks a
quail, we will see what we can do!”
“How can I express my thanks...?”
“The question of commission,” Mrs. Sixsmith murmured with a slight
smile, “we will discuss more fully later on.”
------------------------------------------------------------------------
VII
SUBJECTIVE. On a rack in the loom. Powerless oneself to grasp the
design. Operated on by others. At the mercy of chance fingers, unskilled
fingers, tender fingers; nails of all sorts. Unable to progress alone.
Finding fulfilment through friction and because of friction. Stung into
sentiency gradually, bit by bit—a toe at a time.
After all there was a _zest_ in it; and who should blame the raw
material should an accident occur by the way....
Careless of an intriguing world about her, Miss Sinquier left her hotel,
just so as to arrive at Angrezini’s last.
“For Thou knowest well my safety is in _Thee_,” she murmured to herself
mazily as her taxi skirted the Park.
Having disposed of her Anne teapot for close on seventy pounds, she was
looking more radiant than ever in a frail Byzantine tunic that had cost
her fifty guineas.
“Thy Sally’s safety,” she repeated, absently scanning the Park.
Public-domain text, read in full here on John Shaqi.
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