English fiction -- 20th century; London (England) -- Fiction; Theater -- Fiction; Young women -- Fiction
Nature had thrown up upon her lip and cheek two big blonde moles that
procured to her physiognomy, somehow or other, an unusual degree of
expression.
“My husband has been waiting to hear from you,” she said, “as agent to
this _Miss Sin——_, the new star with the naughty name, and from all I
could make out I understand it would be likely to be a _Double
Engagement._”
“This is Miss Sinquier,” Mrs. Sixsmith exclaimed.
Miss Sinquier blinked.
“Have you done it much?” she asked.
“Often.”
“Where?”
“Everywhere.”
“For example?”
“I may say I’ve played Pauline and Portia and Puck....”
“Mother-to-Juliet I fear’s the best I’ve to offer.”
Mrs. Smee consulted enigmatically the nearest mole in reach of her
tongue.
“Were I to play her in ‘good’ preservation,” she inquired, “I suppose
there’d be no objection?”
“Why, none!”
“Just a girlish touch....”
“Mrs. Smee defies time,” Mrs. Sixsmith remarked.
“My dear, I once was thought to be a very pretty woman.... All I can do
now is to urge my remains.”
Miss Sinquier raised a forefinger.
Voices shivering in altercation issued loudly from a private
dressing-room next door.
“What’s up?”
“Oh, dear! Oh, dear!” the wardrobe-mistress entering said. “Sir Maurice
and Mr. Fisher are passing sharp words with a couple of pitchforks.”
“What!”
“The ‘Farm-players’ sent them over from the Bolivar for their Pig-sty
scene—and now poor Mr. Mary, _Sir M’riss_, and Mr. Fisher are fighting
it out, and Mrs. Mary, _her ladyship_, has joined the struggle.”
“Murder!” called a voice.
“Glory be to God.”
Mrs. Sixsmith rolled her eyes.
“Da!” she gasped, as Lady Mary, a trifle dazed but decked in smiles,
came bustling in.
“Oh, Men! Men! Men!” she exclaimed, going off into a hearty laugh.
“Rough, angelic brutes...!”
She was radiant.
She had a gown of shot brocade, a high lace ruff and a silver girdle of
old German work, that had an ivory missal falling from it.
“Quarrelsome, quarrelling kings,” she stuttered, drifting towards a
toilet-table—the very one before which Miss Sinquier was making her
face.
On all sides from every lip rose up a chorus of congratulations.
“Viva, Lady Mary!”
Touched, responsive, with a gesture springing immediately from the
heart, the consummate Victorian extended impulsive happy hands.
“God bless you, dears,” she said.
“Three cheers for Lady Mary!”
The illustrious woman quashed a tear.
“Am I white behind?” she asked.
“Allow me, milady,” the wardrobe-mistress wheezed.
“I fancy I heard a rip...!”
“There must have been quite a scrimmage.”
From the orchestra, a melodious throb-thrum-throb told a “curtain.”
“Lady Mary—_you_, Mum,” a call-boy chirped.
“Me?”
“Five minutes.”
Lady Mary showed distress.
“For goodness sake, my dear,” she addressed Miss Sinquier, “do leave
yourself alone. I want the glass.”
But Miss Sinquier seemed engrossed.
At her elbow a slip of a “Joy-baby” was holding forth with animation to
Mrs. Sixsmith and Mrs. Smee.
Public-domain text, read in full here on John Shaqi.
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