English fiction -- 20th century; London (England) -- Fiction; Theater -- Fiction; Young women -- Fiction
“Meanwhile?”
“He’ll pass for a Friar. The Moujik!”
“Still....”
“He’ll probably be priceless; the masses always love the man who can
make them laugh.”
Miss Sinquier moved restlessly towards the door and looked out.
All was activity.
Plants for the balcony set of a rambling, twining nature, together with
a quantity of small wicker cages labelled “Atmospherics,” and containing
bats, owls, lizards, etc., were in course of being prepared.
The manageress knit her brows.
“Miss Marquis,” she called, “instead of teasing the animals, I suggest
you complete your toilet.”
“... She’d better look sharp!”
Mrs. Smee consulted her notes.
“She reminds me more of a nurse-maid than a nurse,” she murmured. “Not
what _I_ should have chosen for Juliet at all.”
“Perhaps not.”
“Miss Marquis has no stage presence. And such a poor physique—she’s too
mean.”
“Anyway, Sally’s got fine men. I never saw finer fellows. Even the
Apothecary! Fancy taking the fatal dose from a lad like that; he makes
me want to live.”
Mrs. Smee purred.
“To have interesting workmates is everything,” she said. “Hughie
Huntress, as Producer, seemed quite stunned at the subtle material at
his disposal.... In fact, he realized from the first, he told me, he
_couldn’t_ ‘produce’ all of it.”
Mrs. Sixsmith lowered her voice.
“Where did Sally find her Balthasar,” she asked, “and where did she
secure her Tybalt?”
“My dear Mrs. Sixsmith, I’m not in the management’s secrets, remember,
so much as you!”
“Or who put her in the way of Sampson and Gregory? And _where_ did she
get her Benvolio?”
“Through an agent, I don’t doubt.”
Mrs. Sixsmith threw a sidelong probing glance in the direction of the
door. Already in her heart she felt herself losing her hold. Had the
time inevitably come to make out the score?
Through the open door came a squeal.
“Sally, the owls!”
“Leave them, Réné,” Miss Sinquier ordered.
“_Dearest_, what diddlies; one has a look of old Sir Oliver!” Miss Mant
declared, coming forward into the room.
Clad in a pair of striped “culottes,” she had assumed, notwithstanding
sororal remonstrance, the conspicuous livery of Paris.
“I just looked in to thank you, darling,” she began, “for all your
sweetness and goodness.... Oh Sally, when I saw the playbill with my
name on it (right in among the gentlemen!) I thought I should have died.
Who could have guessed ever it would be a breeches part?”
“Turn round.”
“Such jealous murmurings already as there are; a-citizen-of-Verona—an
envious super without a line, whispered, as I went by, that my legs in
these tissue tights had a look of forced asparagus.”
“Nonsense.”
“Of course: I knew that, Sally. But devil take me. How I’ll hate going
back into virginals again; these trousers spoil you for skirts.”
“Sprite.”
Public-domain text, read in full here on John Shaqi.
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