France -- History -- Louis XIII, 1610-1643 -- Fiction
When all was ready de Sigognac led Isabelle and Serafina to the table,
placing one on each side of him, with the pretty _soubrette_ opposite.
Mme. Léonarde, the duenna of the troupe, sat beside the pedant,
Leander, Matamore, his majesty the tyrant, and Scapin finding places
for themselves. The youthful host was now able to study the faces of
his guests at his ease, as they sat round the table in the full light
of the candles burning upon it in the two theatrical candelabra. He
turned his attention to the ladies first, and it perhaps will not be
out of place to give a little sketch of them here, while the pedant
attacks the gigantic game pasty.
Serafina, the “leading lady” of the troupe, was a handsome young woman
of four or five and twenty, who had quite a grand air, and was as
dignified and graceful withal as any veritable noble dame who shone at
the court of his most gracious majesty, Louis XIII. She had an oval
face, slightly aquiline nose, large gray eyes, bright red lips—the
under one full and pouting, like a ripe cherry—-a very fair complexion,
with a beautiful colour in her cheeks when she was animated or excited,
and rich masses of dark brown hair most becomingly arranged. She wore a
round felt hat, with the wide rim turned up at one side, and trimmed
with long, floating plumes. A broad lace collar was turned down over
her dark green velvet dress, which was elaborately braided, and fitted
closely to a fine, well-developed figure. A long, black silk scarf was
worn negligently around her shapely shoulders and although both velvet
and silk were old and dingy, and the feathers in her hat wet and limp,
they were still very effective, and she looked like a young queen who
had strayed away from her realm; the freshness and radiant beauty of
her face more than made up for the shabbiness of her dress, and de
Sigognac was fairly dazzled by her many charms.
Isabelle was much more youthful than Serafina, as was requisite for her
role of ingenuous young girl, and far more simply dressed. She had a
sweet, almost childlike face, beautiful, silky, chestnut hair, with
golden lights in it, dark, sweeping lashes veiling her large, soft
eyes, a little rosebud of a mouth, and an air of modesty and purity
that was evidently natural to her—not assumed. A gray silk gown, simply
made, showed to advantage her slender, graceful form, which seemed far
too fragile to endure the hardships inseparable from the wandering life
she was leading. A high Elizabethan ruff made a most becoming frame for
her sweet, delicately tinted, young face, and her only ornament was a
string of pearl beads, clasped round her slender, white neck. Though
her beauty was less striking at first sight than Serafina’s, it was of
a higher order: not dazzling like hers, but surpassingly lovely in its
exquisite purity and freshness, and promising to eclipse the other’s
more showy charms, when the half-opened bud should have expanded into
the full-blown flower.
Public-domain text, read in full here on John Shaqi.
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