France -- History -- Louis XIII, 1610-1643 -- Fiction
The _soubrette_ was like a beautiful Gipsy, with a clear, dark
complexion, rich, mantling colour in her velvety cheeks, intensely
black hair—long, thick, and wavy—great, flashing, brown eyes, and
rather a large mouth, with ripe, red lips, and dazzling white
teeth—one’s very beau-ideal of a bewitching, intriguing waiting-maid,
and one that might be a dangerous rival to any but a surpassingly
lovely and fascinating mistress. She was one of the beauties that women
are not apt to admire, but men rave about and run after the world over.
She wore a fantastic costume of blue and yellow, which was odd,
piquant, and becoming, and seemed fully conscious of her own charms.
Mme. Léonarde, the “noble mother” of the troupe dressed all in black,
like a Spanish duenna, was portly of figure, with a heavy, very pale
face, double chin, and intensely black eyes, that had a crafty,
slightly malicious expression. She had been upon the stage from her
early childhood, passing through all the different phases, and was an
actress of decided talent, often still winning enthusiastic applause at
the expense of younger and more attractive women, who were inclined to
think her something of an old sorceress.
So much for the feminine element. The principal roles were all
represented; and if occasionally a re-enforcement was required, they
could almost always pick up some provincial actress, or even an
amateur, at a pinch. The actors were five in number: The pedant,
already described, who rejoiced in the name of Blazitis; Leander;
Hérode, the tragic tyrant; Matamore, the bully; and Scapin, the
intriguing valet.
Leander, the romantic, irresistible, young lover—darling of the
ladies—was a tall, fine-looking fellow of about thirty, though
apparently much more youthful, thanks to the assiduous care he bestowed
on his handsome person. His slightly curly, black hair was worn long,
so that he might often have occasion to push it back from his forehead,
with a hand as white and delicate as a woman’s, upon one of whose taper
fingers sparkled an enormous diamond—a great deal too big to be real.
He was rather fancifully dressed, and always falling into such
graceful, languishing attitudes as he thought would be admired by the
fair sex, whose devoted slave he was. This Adonis never for one moment
laid aside his role. He punctuated his sentences with sighs, even when
speaking of the most indifferent matters, and assumed all sorts of
preposterous airs and graces, to the secret amusement of his
companions. But he had great success among the ladies, who all
flattered him and declared he was charming, until they had turned his
head completely; and it was his firm belief that he was irresistibly
fascinating.
Public-domain text, read in full here on John Shaqi.
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