It is not to be implied, however, that all Oriental carpets are still the product of family or tribal industry. Western methods have penetrated even into the “unchanging East”: organisation of the industry has been set up; and carpet dealers and importers’ syndicates in New York, London, and Paris have their agents in the East, and even control their own factories, to which they send their orders. This may be thought to detract from the romance of the Oriental carpet, but it does not appear to have affected adversely the progress of the industry or the merit of its products; and there is no reason why it should, so long as the Western buyers are men of taste and experience, and do not seek to impose uncongenial ideas upon the Eastern worker, which might tend to the destruction of individuality and local feeling. It is a common fallacy, that the yarns of Oriental carpets are dyed solely with vegetable dyes, and that those dyes are intrinsically superior to aniline and alizarine dyes, such as are employed for yarns for machine-made fabrics. The latter have been used for many years now by European carpet manufacturers, not because they are cheaper than vegetable dyes, but because they are easier to use, more accurate for matching purposes, and faster to light. There are, of course, good and bad synthetic dyes, but the best are immeasurably superior to dyes made from plants, barks, and berries. This fact has long been recognised by those who control the production of Oriental carpets, for the yarns for which aniline and alizarine dyes are now extensively employed. The subject of dyeing naturally leads on to that of doctoring or “faking,” which is commonly adopted with a large proportion of Eastern carpets. The object is twofold: to soften the original brightness of the colours, or to give an appearance of age; and to obtain a gloss which the wool does not naturally possess. This is generally done by the collectors or agents, and not by the people who weave the carpets. It is often known by the innocent name of _washing_, and consists in treating the surface with some chemical such as chlorine water, or glycerine, followed by ironing with a hot iron. It can hardly be supposed that this treatment does not detract to some extent from the life of the carpet; but this consideration appears to be outweighed by that of the more attractive appearance. It has been stated that it is not an uncommon practice to expose a carpet to use in the bazaar or street with the object of enhancing its commercial value by giving it an artificial appearance of age. It is to be hoped, however, that this very insanitary method of faking is rare; but those who wilfully give preference to a carpet because it is dirty and faded, and apparently old, do not deserve too much sympathy.